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Carl August Sandburg (January 6, 1878 – July 22, 1967) was an American poet, biographer, journalist, and editor. He won three Pulitzer Prizes: two for his poetry and one for his biography of Abraham Lincoln.
The Letters of Carl Sandburg (Harcourt Brace, 1968). The Chicago Race Riots of 1919 (Harcourt, Brace and Howe, 1969). Ever the Winds of Chance (University of Illinois Press, 1983). Carl Sandburg at the Movies (Scarecrow Press, 1985). The Poet and the Dream Girl: The Love Letters of Lilian Steichen & Carl Sandburg (University of Illinois Press ...
Chicago Poems established Sandburg as a major figure in contemporary literature. [5] Chicago Poems , and its follow-up volumes of verse, Cornhuskers (1918) and Smoke and Steel (1920) represent Sandburg's attempts to found an American version of social realism, writing expansive verse in praise of American agriculture and industry.
Ezra Pound's review of the Spoon River poems begins: "At last! At last America has discovered a poet." [5] Carl Sandburg's review is similarly glowing: "Once in a while a man comes along who writes a book that has his own heart-beats in it. The people whose faces look out from the pages of the book are the people of life itself, each trait of ...
The American Songbag is an anthology of American folksongs compiled by the poet Carl Sandburg and published by Harcourt, Brace and Company in 1927. It was enormously popular [1] and was in print continuously for more than seventy years. [2] Melodies from it were used in Alec Wilder's Names from the War (1961).
"Chicago" is a poem by Carl Sandburg about the city of Chicago that became his adopted home. It first appeared in Poetry , March 1914, the first of nine poems collectively titled "Chicago Poems". It was republished in 1916 in Sandburg's first mainstream collection of poems, also titled Chicago Poems .
The only full-length book mentioned is a collection of children's poems so minor in the poet's oeuvre that some scholars don't even include it - where works of major influence like Chicago Poems and The People, Yes! are not even mentioned.
Poetry’s unnat’ral; no man ever talked poetry ‘cept a beadle on boxin’ day, or Warren’s blackin’ or Rowland’s oil, or some o’ them low fellows; never you let yourself down to talk poetry, my boy. ”