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The term plot can also serve as a verb, as part of the craft of writing, referring to the writer devising and ordering story events. (A related meaning is a character's planning of future actions in the story.) The term plot, however, in common usage (e.g., a "film plot") more often refers to a narrative summary, or story synopsis.
Story structure or narrative structure is the recognizable or comprehensible way in which a narrative's different elements are unified, including in a particularly chosen order and sometimes specifically referring to the ordering of the plot: the narrative series of events, though this can vary based on culture.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
The plot is usually placed in a self-contained section (designated by == Plot == or sometimes == Synopsis ==). By convention, story plots are written in the narrative present—that is, in the present tense, matching the way that the story is experienced. [2] If it makes the plot easier to explain, events can be reordered. [3]
Timeline of fabula vs syuzhet in Memento. In narratology, fabula (Russian: фабула, IPA:) refers to the chronological sequence of events within the world of a narrative and syuzhet [1] (Russian: сюжет, IPA: [sʲʊˈʐɛt] ⓘ) equates to the sequence of events as they are presented to the reader.
A funnel plot is a scatterplot of treatment effect against a measure of study size. It is used primarily as a visual aid to detecting bias or systematic heterogeneity. Dot plot (statistics) : A dot chart or dot plot is a statistical chart consisting of group of data points plotted on a
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
Somerset Maugham thought that the short story "must have a definite design, which includes a point of departure, a climax and a point of test; in other words, it must have a plot". [5] Hugh Walpole had a similar view: "A story should be a story; a record of things happening full of incidents, swift movements, unexpected development, leading ...