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Even the Sokollu Mehmed Pasha Mosque (1568–1572), which is known for its extensive high-quality tile decoration, still concentrates and focuses this decoration onto the wall surrounding the mihrab instead of on the whole mosque interior. [39] Details of tiles at the Rüstem Pasha Mosque (circa 1561), with early use of the "tomato red" colour
In the 16th century, the Ottoman Empire used the outer wall of the palace and mounted a city wall onto it. Because of that, the Ottoman wall only reaches the corner of the palace, and then turns at a 90-degree angle northwards and connections in an arbitrary manner to the Temple Mount in the middle of the Southern Wall. In order to continue the ...
Buildings and structures of the Ottoman Empire (1299 – 1923). Subcategories. This category has the following 14 subcategories, out of 14 total. ...
Ottoman cemeteries were also gardens and were often established next to mosques. Large Ottoman küllliye complexes, which consisted of a mosque with other charitable and religious buildings around it, were often set inside an outer enclosure. The grounds and common spaces of these enclosures were planted with grass and trees, around which the ...
Mehmet II (Ottoman Turkish: محمد الثانى Meḥmed-i sānī, Turkish: II.Mehmet), (also known as el-Fatih (الفاتح), "the Conqueror", in Ottoman Turkish), or, in modern Turkish, Fatih Sultan Mehmet) (March 30, 1432, Edirne – May 3, 1481, Hünkârcayırı, near Gebze) was Sultan of the Ottoman Empire (Rûm until the conquest) for a short time from 1444 to September 1446, and ...
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After the 1517 Ottoman conquest of the Mamluk Sultanate in Egypt, two different cultures merged, as is seen on Mamluk carpets woven after this date. After the conquest of Egypt, the Cairene weavers adopted an Ottoman Turkish design. [66] The production of these carpets continued in Egypt into the early 17th century. [67]
This forms the basic design which is outlined in white on the wall of the mosque. That design, however, is overlaid with an intersecting tracery in blue around tiles of other colours, forming an elaborate pattern that partially conceals the original and underlying design.
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