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Romanian traditional clothing refers to the national costume worn by Romanians, who live primarily in Romania and Moldova, with smaller communities in Ukraine and Serbia. Today, the vast majority of Romanians wear modern-style dress on most occasions, and the garments described here largely fell out of use during the 20th century.
Illustration featuring the Romanian coat of arms and tricolor. Romania's history has been full of rebounds: the culturally productive epochs were those of stability when the people proved quite an impressive resourcefulness in the making up for less propitious periods and were able to rejoin the mainstream of European culture.
The ratio of Slavic loanwords is especially high in the religious vocabulary (25%) and in the semantic field of social and political relations (22.5%). [25] Slavic loanwords make up more than 10% of the Romanian terms related to speech and language, to basic actions and technology, to time, to the physical world, to possession and to motion. [26]
This category describes modern Romanian fashion. Traditional and historic Romanian clothing should be categorised under Category:Romanian clothing
The top of the opanky was made by lacing together strips of gut or hide. At the heel the sole continues into the woven part ending in long leather laces which were used to tie the opanci to the foot. These were worn over stockings. Opanci were originally made at home, then by village makers, and later by specialist opanky makers in small towns.
This category describes traditional and historic Romanian clothing. Modern Romanian clothing should be categorised under Romanian fashion or Clothing companies of Romania Subcategories
The building, which uses traditional Romanian architectural features, was built on the former site of the State Mint (Monetăria Statului). [3] Initially intended as a museum of Romanian art, it was designed by Nicolae Ghica-Budești and built between 1912 and 1941. [ 4 ]
Troiță is a word of Slavic origin, signifying three joined crosses, associated with the Holy Trinity. [1] The crosses are a feature of the village landscape, where they were built for divine protection in places thought dangerous. They were meant to preserve the natural order; merely looking at one would confirm the presence of God.