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Don't Blame Me" is a popular song with music by Jimmy McHugh and lyrics by Dorothy Fields. The song was part of the 1932 show Clowns in Clover and was published in 1933. Popular versions that year were recorded by: Ethel Waters (US No. 6), Guy Lombardo , and Charles Agnew .
"Don't Blame Me" is a song by the American singer-songwriter Taylor Swift from her sixth studio album, Reputation (2017). Written by Swift and the song's producers, Max Martin and Shellback, "Don't Blame Me" combines electropop, EDM, and gospel pop. Its production is driven by heavy bass, pulsing synthesizers, and manipulated vocals. The lyrics ...
Don't Blame Me" originally appeared as the B-Side to "Merry Xmas Everybody". [18] In a 1979 fan club interview, Lea said of the song: ""Don't Blame Me" was a time-filler, I think that it was created as that. When it was used as a B-Side, we didn't even know it was being used, it was chosen by the offices." [19]
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
Don't Blame Me may refer to: Don't Blame Me, an Australian children's program; Don't Blame Me; Don't Blame Me by Marc Ribot "Don't Blame Me" (Dorothy Fields and Jimmy McHugh song), first published in 1933 "Don't Blame Me" (Taylor Swift song), from the album Reputation (2017) "Don't Blame Me", a song by Little River Band from Playing to Win
The 2002 reissue of No More Tears featured two additional tracks entitled "Don't Blame Me" and "Party with the Animals". Both tracks had originally been released in 1991 as B-sides. The version of "Don't Blame Me" on the 2002 reissue contains a different set of lyrics than the original b-side.
Reno and Smiley were an American musical duo that was composed of Don Reno (May 17, 1925 – October 16, 1984) and Red Smiley (February 21, 1925 – January 2, 1972). They were one of the most acclaimed duos in country and bluegrass music in the 1950s and early 1960s.
The Andrews Sisters' version of the song reached number 8 on the charts in 1944.; In 1958, The DeJohn Sisters recorded the song, which peaked at number 73 on the pop chart. [7]