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Phonk (/ f ɒ ŋ k / ⓘ) is a subgenre of hip hop and trap music directly inspired by 1990s Memphis rap. The genre is characterized by its use of vintage Memphis rap vocals, chopped and screwed production techniques, and samples from early 1990s hip hop, often combined with samples from jazz and funk .
In 2021, Kenney started releasing drift phonk music under the stage name Kordhell. His first album, Beat Tape 1, managed to give Kordhell some visibility, but his first true success was with his songs "Live Another Day" and Murder in My Mind , which charted in Austria, Germany, Sweden, Switzerland and the United Kingdom, [ 7 ] [ 8 ] [ 9 ] and ...
This is a category containing musical artists who produce, perform, write, or DJ phonk music. Pages in category "Phonk musicians" The following 4 pages are in this category, out of 4 total.
Americana (also known as American roots music) [1] is an amalgam of American music formed by the confluence of the shared and varied traditions that make up the musical ethos of the United States of America, with particular emphasis on music historically developed in the American South.
Peter Lang, a guitarist associated with the genre, described American primitive guitar, writing: ". . . The New Age people call it Folk; the Folk people call it New Age, but it is really neither. It's transitional. The style is derived from the country blues and string band music of the '20s and '30s, however much of the music is contemporary.
Slide guitarists are musicians who are well-known for playing guitar with a "slide", a smooth, hard object, held in the fretting hand and placed against the strings to control the pitch. [1] Beginning with guitarists in the American South and Hawaii in early 20th century, [ 2 ] slide guitar styles have developed in a variety of musical settings ...
Johnson was the only one to record that day and performed solo, singing and accompanying himself on acoustic guitar. [4] Two more sessions followed, on Thursday and Friday, November 27 and 28. [2] After the successful release of "Terraplane Blues" in March 1937, additional recording sessions took place in Dallas, Texas. [2]
Writing for Allmusic, music critic Steve Leggett wrote of the album "Any of Watson's many Sugar Hill albums is well worth checking out on its own, but this succinct sampler of some of the wonderful moments from those albums is proof of how Watson makes everything he touches fit into his personal and seamless tour of American folk music in all of its interconnected shapes and forms."