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Sad Planets describes Solaris as an "enigma", calling some of the book's most moving passages those that describe the planet itself, with no human presence. [2] Green Planets states that Solaris "resists both physical and epistemic human penetration", describing it as "an impervious mirror surface". Ironically, the planet itself appears to ...
Science fiction (sometimes shortened to sci-fi or abbreviated SF) is a genre of speculative fiction which typically deals with imaginative and futuristic concepts such as advanced science and technology, space exploration, time travel, parallel universes, and extraterrestrial life.
Schematic diagram of the orbits of the fictional planets Vulcan, Counter-Earth, and Phaëton in relation to the five innermost planets of the Solar System.. Fictional planets of the Solar System have been depicted since the 1700s—often but not always corresponding to hypothetical planets that have at one point or another been seriously proposed by real-world astronomers, though commonly ...
Most extrasolar planets in fiction are similar to Earth—referred to in the Star Trek franchise as Class M planets—and serve only as settings for the narrative. [1] [2] One reason for this, writes Stephen L. Gillett [Wikidata] in The Greenwood Encyclopedia of Science Fiction and Fantasy, is to enable satire. [3]
In science fiction, a fictional universe may be a remote alien planet or galaxy with little apparent relationship to the real world (as in Star Wars); in fantasy, it may be a greatly fictionalized or invented version of Earth's distant past or future (as in The Lord of the Rings). [1]
Sometimes the far future genre moves from science fiction to fantasy, showing a society where civilization has regressed to the point where older technologies are no longer understood and are seen as magic. This subgenre is sometimes known as the "far future fantasy" [2] and partially overlaps with the science fantasy genre. [3]
The question of how humans would get to Mars was addressed in several ways: when not travelling there via spaceship as in the 1911 novel To Mars via the Moon: An Astronomical Story by Mark Wicks, [24] they might use a flying carpet as in the 1905 novel Lieut. Gullivar Jones: His Vacation by Edwin Lester Arnold, [14] [18] [20] a balloon as in A Narrative of the Travels and Adventures of Paul ...
According to Vivian Sobchack, a British cinema and media theorist and cultural critic: . Science fiction film is a film genre which emphasizes actual, extrapolative, or 2.0 speculative science and the empirical method, interacting in a social context with the lesser emphasized, but still present, transcendentalism of magic and religion, in an attempt to reconcile man with the unknown.