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Femme Fatale is a 2002 erotic thriller film [2] [3] written and directed by Brian De Palma. The film stars Antonio Banderas and Rebecca Romijn-Stamos. It was screened out of competition at the 2002 Cannes Film Festival. [4] Upon its release, Femme Fatale received mixed reviews from film critics and became a box office flop.
Gilda was a cross between a hardcore noir adventure of the 1940s and the cycle of 'women's pictures.' Imbued with a modern perspective, the film is quite remarkable in the way it deals with sexual issues." [21] Mike D'Angelo of The A.V. Club said that "part of Gilda's fascination is the way that it complicates the idea of the femme fatale ...
The film, considered a classic example of film noir, showcases the distinctive features of the genre: the femme fatale, an alienated and tragic antihero figure and a mutual plot against the female character's husband. The story is narrated by the antihero in the form of a voiceover recollection of events past.
Mari Blanchard (born Mary E. Blanchard, April 13, 1923 – May 10, 1970) was an American film and television actress, known foremost for her roles as a B movie femme fatale in American productions of the 1950s and early 1960s.
Femmes fatales were standard fare in hardboiled crime stories in 1930s pulp fiction.. A femme fatale (/ ˌ f ɛ m f ə ˈ t æ l,-ˈ t ɑː l / FEM fə-TA(H)L, French: [fam fatal]; lit. ' fatal woman '), sometimes called a maneater, [1] Mata Hari, or vamp, is a stock character of a mysterious, beautiful, and seductive woman whose charms ensnare her lovers, often leading them into compromising ...
Universal Pictures. Director: Pierre Coffin, Kyle Balda Cast: Sandra Bullock, Jon Hamm, Michael Keaton, Allison Janney Rating: PG Run time: 91 minutes Reviews: Rotten Tomatoes 56%; IMDb 6.4/10 ...
Jane Greer (born Bettejane Greer; September 9, 1924 – August 24, 2001) was an American film and television actress best known for her role as femme fatale Kathie Moffat in the 1947 film noir Out of the Past. In 2009, The Guardian named her one of the best actors never to have received an Academy Award nomination. [1]
The staff at Variety magazine gave the film a positive review, writing, "A closeup on prison life and prison methods, Brute Force is a showmanly mixture of gangster melodramatics, sociological exposition, and sex...The s.a. elements are plausible and realistic, well within the bounds, but always pointing up the femme fatale.