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Femme Fatale is a 2002 erotic thriller film [2] [3] written and directed by Brian De Palma. The film stars Antonio Banderas and Rebecca Romijn-Stamos. It was screened out of competition at the 2002 Cannes Film Festival. [4] Upon its release, Femme Fatale received mixed reviews from film critics and became a box office flop.
Mari Blanchard (born Mary E. Blanchard, April 13, 1923 – May 10, 1970) was an American film and television actress, known foremost for her roles as a B movie femme fatale in American productions of the 1950s and early 1960s.
Gilda was a cross between a hardcore noir adventure of the 1940s and the cycle of 'women's pictures.' Imbued with a modern perspective, the film is quite remarkable in the way it deals with sexual issues." [21] Mike D'Angelo of The A.V. Club said that "part of Gilda's fascination is the way that it complicates the idea of the femme fatale ...
Hayworth is widely known for her performance in the 1946 film noir Gilda, opposite Glenn Ford, in which she played the femme fatale in her first major dramatic role. She is also known for her performances in Only Angels Have Wings (1939), The Strawberry Blonde (1941), Blood and Sand (1941), The Lady from Shanghai (1947), Pal Joey (1957), and ...
Femmes fatales were standard fare in hardboiled crime stories in 1930s pulp fiction.. A femme fatale (/ ˌ f ɛ m f ə ˈ t æ l,-ˈ t ɑː l / FEM fə-TA(H)L, French: [fam fatal]; lit. ' fatal woman '), sometimes called a maneater, [1] Mata Hari, or vamp, is a stock character of a mysterious, beautiful, and seductive woman whose charms ensnare her lovers, often leading them into compromising ...
Play full film; runtime 01:07:59. Ann Savage (born Berniece Maxine Lyon, [1] February 19, 1921 – December 25, 2008) was an American film and television actress. She is best remembered as the greedy cigarette-puffing femme fatale in the critically acclaimed film noir Detour (1945).
It popularised the word vamp (short for vampire), [2] which describes a femme fatale who causes the moral degradation of those she seduces, first fascinating and then exhausting her victims. In 2015, the United States Library of Congress selected the film for preservation in the National Film Registry , finding it "culturally, historically, or ...
Produced and distributed by American International Pictures (AIP), Coffy was the third Jack Hill film to star Grier, after The Big Doll House and The Big Bird Cage. Grier would go on to boost her career as the leading "femme fatale" of blaxploitation for the rest of the 1970s. [9] [10]