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Modern European ink painting (sometimes called the "New Ink Movement" [1] or the "New Ink Art") is an emerging style that reaches beyond traditional Asian ink painting in scope and treatment of a minimalist-art. Contemporary ink painting is developing and establishing the recognition it deserves and gaining its own place among the major ...
Ink wash painting (simplified Chinese: 水墨画; traditional Chinese: 水墨畫; pinyin: shuǐmòhuà); is a type of Chinese ink brush painting which uses washes of black ink, such as that used in East Asian calligraphy, in different concentrations.
Bottles of ink from Germany Writing ink and a quill. Ink is a gel, sol, or solution that contains at least one colorant, such as a dye or pigment, and is used to color a surface to produce an image, text, or design. Ink is used for drawing or writing with a pen, brush, reed pen, or quill.
Nan’s early work emphasises his strong connection to traditional Chinese culture and his fascination with the lyricism of ancient Chinese landscape artists.His mountainous scenes from the late 1980s and early 1990s feature strong, inky brushwork broken up by ink “dabs” which showcase the rugged textures of these rocky landscapes.
Haboku sansui (破墨山水図, haboku sansui-zu, Broken Ink Landscape) is a splashed-ink landscape painting on a hanging scroll. It was made by the Japanese artist Sesshū Tōyō in 1495, in the Muromachi period. The ink wash painting is classified as a National Treasure of Japan and currently held by the Tokyo National Museum. [1] [2]
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Franklin Booth (July 18, 1874 – August 25, 1948) was an American artist known for his detailed pen-and-ink illustrations. He had a unique illustration style based upon his early recreation of wood engraving illustrations with pen and ink. His skill as a draftsman and style made him a popular magazine illustrator in the early 20th-century.
Splashed-ink Landscape (破墨山水, Haboku sansui) by Sesshū Tōyō, 1495 Sesshu's landscape in hatsuboku style. Haboku (破墨) and Hatsuboku (溌墨) are both painting techniques employed in suiboku (ink-wash painting) in China and Japan, as seen in landscape paintings, involving an abstract simplification of forms and freedom of brushwork.
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