Search results
Results from the WOW.Com Content Network
"Maria Lando" Susana Baca 2. "Yo No Soy Jaqui" Manuel Donayre 3. "Canterurias" Cecilia Barraza 4. "Samba Malato" Lucila Campos 5. "Enciendete Candela" Conjunto Gente Morena & Roberto Rivas 6. "Azucar de Caña" Eva Ayllon 7. "Prendeme la Vela" Abelardo Vasquez & Cumanana 8. "Landó" Chabuca Granda 9. "Toro Mata" Lucila Campos 10. "Son de los ...
Granda continued to make her presence felt a decade after her death, when Caetano Veloso used her song, "Fina estampa", as the title track of an album released in 1994, while her song, "Maria Lando", written with César Calvo, provided the North American breakthrough for Peruvian vocalist Susana Baca the following year.
"Cardo o ceniza" (translated "thistle or ash") is a song written and performed by Chabuca Granda. It was written in 1973 and tells of the passionate desire and shame felt by Chilean singer-songwriter Violeta Parra after being rejected by her lover, Gilbert Favre .
"Fina estampa" (translation "fine mien") is a song written in 1956 by the Peruvian singer-songwriter, Chabuca Granda. The song is a Peruvian waltz in the " música criolla " style. Lyrics and dedication
"La flor de la canela", commonly translated to the English language as "The Cinnamon Flower", is a Creole waltz composed by the Peruvian singer-songwriter Chabuca Granda. The song was first recorded in 1950 by the musica criolla trio Los Morochucos [ es ] .
Granda composed "El puente de los suspiros" in 1960 in homage to a famous wooden bridge over a ravine in the seaside Barranco District of Lima. [1]The lyrics describe a little bridge hidden between foliage, a sleeping bridge between the murmur of love and embraced by memories, a place of pleasant silence.
César Calvo Soriano (26 July 1940 – 18 August 2000) was a Peruvian poet, journalist, and author. Calvo was part of the "Generación del Sesenta" ("Generation of Sixty"), a group of prominent Peruvian poets that came of age in the 1960s.
"Lima de veras" was Granda's first published song. [1] [2] The song was written in 1948 when two Colombian friends, Armida Cárdenas Moreno and Simón Arboleda, challenged her to a competition in which Granda was to compose a waltz while they composed a bolero.