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The sastra wangi movement is generally considered to have been initiated by Ayu Utami with her novel Saman. [5] [6] Arising after a period of heavy repression during Suharto's New Order government, the work inspired other young women writers to publish similarly-themed works, including poems, short stories, and novels. [4]
Attractiveness or beauty is the display of these traits and one of the most important predictors of reproductive success. Physical attractiveness may have evolved as a signal of good health, fitness, and genetic quality. Certain physical features, including symmetry, clear skin, and waist-to-hip ratio, signal reproductive health. Individuals ...
Open Journal Systems (OJS) was conceived to facilitate the development of open access, peer-reviewed publishing, providing the technical infrastructure for the presentation of journal articles along with an editorial-management workflow, including article submission, peer-review, and indexing.
The couple are looking in directions different from the sight-line of the spectator. The woman is speaking to her husband about a painting at which she is gazing, whilst her distracted husband is gazing at a painting of a nude woman, which also is in view of the spectator. The woman is looking at an artwork not in view of the spectator.
Di Bawah Lindungan Ka'bah (Under the Protection of Ka'bah) is the 1938 debut novel of the Indonesian author Haji Abdul Malik Karim Amrullah (1908–1981). Written while the author worked in Medan as the editor of an Islamic weekly magazine, the novel follows the doomed romance of a young Minang couple from different social backgrounds.
Wanderer above the Sea of Fog [a] is a painting by German Romanticist artist Caspar David Friedrich made in 1818. [2] It depicts a man standing upon a rocky precipice with his back to the viewer; he is gazing out on a landscape covered in a thick sea of fog through which other ridges, trees, and mountains pierce, which stretches out into the distance indefinitely.
It can be argued that these novels, and similar novels, add to the understanding that escapist fiction is not a negative thing stating that literary fiction critics misunderstood the term as denial or evasion of real life issues instead of layered and complex way of looking at the world and that escapism and realism are not mutually exclusive. [9]
Angkasa (Rio Dewanto), Aurora (Sheila Dara Aisha), and Awan (Rachel Amanda) are siblings who live in a happy-looking family.After experiencing her first major failure, Awan meets Kale (Ardhito Pramono), an eccentric boy who gave Awan a new life experience, about breaking, rising, falling, growing, being, and all the fears of people in general.