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Once the film was developed it was sliced down the middle and the ends attached, giving 50-foot (15 m) of Standard 8 film from a spool of 25-foot (7.6 m) of 16 mm film. 16 mm cameras, mechanically similar to the smaller format models, were also used in home movie making but were more usually the tools of semi professional film and news film makers.
Silicon Film, a proposed digital sensor cartridge for film cameras that would allow 35 mm cameras to take digital photographs without modification was announced in late 1998. Silicon Film was to work as a roll of 35 mm film, with a 1.3 megapixel sensor behind the lens and a battery and storage unit fitting in the film holder in the camera. The ...
As in its last additive system, the camera had only one lens but used a beam splitter that allowed red and green-filtered images to be photographed simultaneously on adjacent frames of a single strip of black-and-white 35 mm film, which ran through the camera at twice the normal rate. By skip-frame printing from the negative, two prints were ...
This camera system used the latest HD video cameras, not film, and was built for Cameron by Emmy nominated Director of Photography Vince Pace, to his specifications. The same camera system was used to film Spy Kids 3D: Game Over (2003), Aliens of the Deep IMAX (2005), and The Adventures of Sharkboy and Lavagirl in 3-D (2005).
1949 – The Contax S camera is introduced, the first 35 mm SLR camera with a pentaprism eye-level viewfinder. 1952 – Bwana Devil, a low-budget polarized 3-D film, premieres in late November and starts a brief 3-D craze that begins in earnest in 1953 and fades away during 1954. 1954 – Leica M Introduced; Photograph scanned into a digital ...
Yashica Electro 35 GSN. Yashica Co., Ltd. (株式会社ヤシカ, Kabushiki-gaisha Yashica) was a Japanese manufacturer of cameras, lenses, and film editing equipment active from 1949 [1] until 2005 [2] when its then-owner, Kyocera, ceased production.
What set these cameras apart from earlier Pentax ones was the replacement of the M42 "universal" screw-lens mount with a proprietary bayonet mount system, known as the K mount. Still the basis for Pentax lenses and cameras today, the K mount offered greater convenience and enabled the production of faster lenses such as the 50 mm f /1.2. [17]
For roll holder means film for cartridge roll holders, allowing roll film to be used with cameras designed to use glass plates. These were spooled with the emulsion facing outward, rather than inward as in film designed for native roll-film cameras.