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Hindko (ہندکو, romanized: Hindko, IPA: [ˈɦɪndkoː]) is a cover term for a diverse group of Lahnda dialects spoken by several million people of various ethnic backgrounds in several areas in northwestern Pakistan, primarily in the provinces of Khyber Pakhtunkhwa and northwestern regions of Punjab.
The Tanoli (Hindko/Urdu: تنولی، تناولی) are a Hindkowan tribe living mainly in the Hazara area of Khyber Pakhtunkhwa, Pakistan. [1] [2] They form the majority of the population of Lassan Nawab union council. [3] The Tanoli describe themselves as Barlas Turks. They never submitted to the British colonial rule in the 1840s.
Illustration of a Hindki in Peshawar in the book “An Account of the Kingdom of Caubul” (1815) by Mountstuart Elphinstone.. Hindkowans, [1] [2] also known as the Hindki, [3] [4] is a contemporary designation for speakers of Indo-Aryan languages who live among the neighbouring Pashtuns, [5] [2] particularly the speakers of various Hindko dialects of Western Punjabi (Lahnda).
Hindko is the most spoken language of Hazara Division followed by Kohistani, Shina and various Dardic languages and Pashto. Hindko speaking Hazarewals reside in and form the majority of the Haripur District, Abbottabad District, and Mansehra District. The Hindko speaking population consists of the Syeds, Awans, Gujjars, Tanolis, Swatis, Abbasis ...
Chhachi, Chacchī, [1] or Chachhī [2] (چھاچھی) [citation needed] is a dialect of Punjabi spoken in the region of Chachh. [3] Grierson classified it within his "North-Western Lahndā" group, whereas Shackle considers it part of Hindko "proper", alongside Ghebī and Avāṅkārī .
Saayein creates poetry primarily in the Hindko language, yet he can employ metaphors that had been used by Persian poets. He makes extensive use of Persian poets' common vocabulary, adjectives, ideas, metaphors, and allegories. His poetry reflects themes of Islamic mysticism and human values.
Hindko, also called Panjistani or (ambiguously) Pahari, is more like Punjabi in this regard, though the equivalent of the low-rising tone of Punjabi is a high-falling tone in Peshawar Hindko. [ 12 ] Sindhi, Lahnda and Punjabi form a dialect continuum with no clear-cut boundaries.
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