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"The Fool on the Hill" is a song by the English rock band the Beatles from their 1967 EP and album Magical Mystery Tour. It was written and sung by Paul McCartney and credited to the Lennon–McCartney partnership. The lyrics describe the titular "fool", a solitary figure who is not understood by others, but is actually wise.
"Take Me Home, Country Roads", also known simply as "Country Roads", is a song written by Bill Danoff, Taffy Nivert and John Denver. It was released as a single performed by Denver on April 12, 1971, peaking at number two on Billboard ' s US Hot 100 singles for the week ending August 28, 1971.
Fool on the Hill is the fourth studio album by Sérgio Mendes and Brasil '66, released in 1968. This is the first album featuring the second edition of Brasil '66. Mendes replaced all of the original band members (with the exception of lead singer Lani Hall).
Fool on the Hill may refer to: "The Fool on the Hill", a 1967 song by the Beatles; Fool on the Hill, a 1968 album by Sergio Mendes and Brasil '66; The Fool on the Hill, a 1976 ballet by Gillian Lynne; Fool on the Hill, a 1988 novel by Matt Ruff
[9] For the 50th-anniversary editions of The Beatles, a music video was created by Alasdair Brotherston and Jock Mooney. [ 10 ] The song served as a namesake for the 2022 film Glass Onion: A Knives Out Mystery and is featured in the film's end-credits.
The use of piano crotchet chords is typical of McCartney's compositions of the time, starting with "Got to Get You into My Life" in 1966. [6] The song's rhythm suggests a foxtrot , a quality it shares with "Catcall" (formerly titled "Catwalk"), [ 9 ] a McCartney-written instrumental recorded by Chris Barber 's trad jazz band in July 1967. [ 17 ]
Immigration advocacy groups and Democratic leaders are seeking to disrupt President-elect Donald Trump's plan to deport millions of undocumented immigrants by pre-drafting lawsuits that could be ...
"The Fool" is a song written by Naomi Ford and Lee Hazlewood and performed by Sanford Clark. It reached #5 on the U.S. R&B chart, #7 on the U.S. pop chart, and #14 on the U.S. country chart in 1956. [1] Al Casey played guitar on the record [2] and it was ranked #42 on Billboard magazine's Top 50 singles of 1956. [3]
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