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The Lutz is a figure skating jump, named after Alois Lutz, an Austrian skater who performed it in 1913. It is a toepick-assisted jump with an entrance from a back outside edge and landing on the back outside edge of the opposite foot.
[35] [38] In competition the base value of a single Lutz is 0.60; the base value of a double Lutz is 2.10; the base value of a triple Lutz is 5.90; and the base value of a quadruple Lutz is 11.50. [33] A "cheated" Lutz jump without an outside edge is commonly called a "flutz". [38]
The Double Doink was a game-ending field goal attempt by Chicago Bears kicker Cody Parkey in the National Football League (NFL)'s 2018 NFC Wild Card game.Parkey's failed 43-yard field goal attempt against the Philadelphia Eagles was partially blocked by Eagles defensive lineman Treyvon Hester, hit the left upright, then bounced off the crossbar, and finally fell back out onto the goal line ...
An art movement is a tendency or style in art with a specific art philosophy or goal, followed by a group of artists during a specific period of time, (usually a few months, years or decades) or, at least, with the heyday of the movement defined within a number of years.
The Bay Area Figurative Movement (also known as the Bay Area Figurative School, Bay Area Figurative Art, Bay Area Figuration, and similar variations) was a mid-20th-century art movement made up of a group of artists in the San Francisco Bay Area who abandoned working in the prevailing style of Abstract Expressionism in favor of a return to figuration in painting during the 1950s and onward ...
Symbolism was a late 19th-century art movement of French and Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against naturalism and realism. In literature, the style originates with the 1857 publication of Charles Baudelaire's Les Fleurs du mal.
Further examination of the "double-doink" shows the Eagles’ Treyvon Hester got a hand on the botched 43-yard field goal attempt.
Both movements shared interests in primitivist art and in the expressing of extreme emotion through high-keyed colors that were very often non-naturalistic. Both movements employed a drawing technique that was crude, and both groups shared an antipathy to complete abstraction. The Brücke artists' emotionally agitated paintings of city streets ...