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During the early to mid-1960s, as mod grew and spread throughout Britain, certain elements of the mod scene became engaged in well-publicised clashes with members of a rival subculture: rockers. [4] The mods and rockers conflict led sociologist Stanley Cohen to use the term " moral panic " in his study about the two youth subcultures , [ 5 ] in ...
The mod subculture was centred on fashion and music, and many mods wore parkas and rode scooters. Mods wore suits and other cleancut outfits, and listened to music genres such as modern jazz, soul, Motown, ska and British blues-rooted bands like the Yardbirds, the Small Faces, and later the Who and the Jam.
The Bloomsbury group in London was one example, providing a place where the diverse talents of people like Virginia Woolf, Leonard Woolf, John Maynard Keynes, and E.M. Forster could interact. Other pre-World War I subcultures were smaller social groupings of hobbyists or a matter of style and philosophy amongst artists and bohemian poets. In ...
[78] [79] Terms vary by region, subculture, and individual preference; [78] some of these regional and local names include: Philopon in East Asia, P in New Zealand, "ya ba" (Thai for "Crazy Medicine") in Thailand, bato (Filipino for rock or stone) in the Philippines, angel delight in Scotland, and tik in South Africa.
Focused on music and fashion, the subculture has its roots in a small group of stylish London-based young men in the late 1950s who were termed modernists because they listened to modern jazz. [ 2 ] ^ Grossman, Henry; Spencer, Terrance; Saton, Ernest (13 May 1966).
A subculture is a group of people within a cultural society that differentiates itself from the values of the conservative, standard or dominant culture to which it belongs, often maintaining some of its founding principles. Subcultures develop their own norms and values regarding cultural, political, and sexual matters.
Peter Alexander Edwin Meaden (11 November 1941 – 29 July 1978) was an English publicist for various musicians and the first manager for the Who.He was a prominent figure in the English Mod subculture of the early 1960s.
By 1965, bands such as the Who and the Small Faces tailored their appeal to the mod subculture centered in London. [220] [221] Some of the harder-driving and more obscure bands associated with the mod scene in the UK are sometimes referred to as Freakbeat, which is sometimes viewed as a more stylish British equivalent of garage rock.