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Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Second Nature (2003 film), a 2003 TV film directed by Ben Bolt; Second Nature, a 2009 short film by Colin Blackshear; Second Nature, a 1992 book by Michael Pollan; Second Nature: Scenes from a World Remade, a 2021 book by Nathaniel Rich; Second Nature Improv, a theatre troupe at the University of Southern California
Modern-day nature writing traces its roots to works of natural history that initially gained popularity in the second half of the 18th century, and continued to do so throughout the 19th century. An important early figure in nature writing was the parson-naturalist Gilbert White (1720–1793), [ 2 ] a pioneering English naturalist and ...
The first edition of The Norton Anthology of English Literature, printed in 1962, comprised two volumes.Also printed in 1962 was a single-volume derivative edition, called The Norton Anthology of English Literature: Major Authors Edition, which contained reprintings with some additions and changes including 28 of the major authors appearing in the original edition.
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Second Nature: A Gardener's Education was Michael Pollan's first book. It is a collection of essays about gardening arranged by seasons. It is listed in the American Horticultural Society's 75 Great American Garden Books. [1] In the book, Pollan describes the relationship between the wild and gardens, nature vs. cultivation, and nature vs ...
The word metaphor itself is a metaphor, coming from a Greek term meaning 'transference (of ownership)'. The user of a metaphor alters the reference of the word, "carrying" it from one semantic "realm" to another. The new meaning of the word might derive from an analogy between the two semantic realms, but also from other reasons such as the ...
The so-called "second generation" Romantics employed the sublime as well, but as the early Romantics had different interpretations of the literary sublime, so too did Percy Bysshe Shelley, Lord Byron, and John Keats. In many instances, they reflected the desire for Enlightenment that their predecessor showed, but they also tended to stick ...