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Chicago Poems established Sandburg as a major figure in contemporary literature. [5] Chicago Poems, and its follow-up volumes of verse, Cornhuskers (1918) and Smoke and Steel (1920) represent Sandburg's attempts to found an American version of social realism, writing expansive verse in praise of American agriculture and industry.
Much of Carl Sandburg's poetry, such as "Chicago", focused on Chicago, Illinois, where he spent time as a reporter for the Chicago Daily News and The Day Book. His most famous description of the city is as "Hog Butcher for the World/Tool Maker, Stacker of Wheat/Player with Railroads and the Nation's Freight Handler,/Stormy, Husky, Brawling ...
It first appeared in Sandburg's first mainstream collection of poems, Chicago Poems, published in 1916. Sandburg has described the genesis of the poem. At a time when he was carrying a book of Japanese Haiku, he went to interview a juvenile court judge, and he had cut through Grant Park and saw the fog over Chicago harbor. He had certainly seen ...
The People, Yes is a book-length poem written by Carl Sandburg and published in 1936. The 300 page work is thoroughly interspersed with references to American culture, phrases, and stories (such as the legend of Paul Bunyan).
"Chicago" is a poem by Carl Sandburg about the city of Chicago that became his adopted home. It first appeared in Poetry , March 1914, the first of nine poems collectively titled "Chicago Poems". It was republished in 1916 in Sandburg's first mainstream collection of poems, also titled Chicago Poems .
Poetry’s unnat’ral; no man ever talked poetry ‘cept a beadle on boxin’ day, or Warren’s blackin’ or Rowland’s oil, or some o’ them low fellows; never you let yourself down to talk poetry, my boy. ”
The "Rootabaga" stories were born of Sandburg's desire for "American fairy tales" to match American childhood. He felt that the European stories involving royalty and knights were inappropriate, and so set his stories in a fictionalized American Midwest called "the Rootabaga country" with fairy-tale concepts such as corn fairies mixed with farms, trains, sidewalks, and skyscrapers.
Carl Sandburg, his wife, and two daughters had their ashes buried under "Remembrance Rock", the 5-foot granite boulder whose name was the source for the novel's title, [4] in the backyard of Sandburg's birthplace and boyhood home.