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A bleep censor is the replacement of profanity and classified information with a beep sound (usually a 1000 Hz sine wave ⓘ), used in public television, radio and social media. History [ edit ]
Censorship of music is not limited to lyrical content; MTV edited the M.I.A. song "Paper Planes" to replace sounds of gunfire in its chorus with alternative sound effects, and remove a reference to cannabis. Similar sound edits occurred when M.I.A. performed the same song on Late Show with David Letterman (broadcast by corporate sibling CBS).
He also used a censor beep sound effect throughout the song, which according to him: "It makes you think of something illegal. Makes you think of something bad. If you're casually listening to this beat or to this song, these little effects are going to be the things that makes someone go, 'Oh, what was that?'
Artists often use backmasking of sounds or instrumental audio to produce interesting sound effects. [34] [47] One such sound effect is the reverse echo. When done on tape, such use of backmasking is known as reverse tape effects. Backmasking has been used for artistic effect by Missy Elliott ("Work It", [48]), Jay Chou ("You Can Hear" [49]) At ...
In modern systems, a profanity delay can be a software module manually operated by a broadcast technician that puts a short delay (usually, 30 seconds) into the broadcast of live content. This gives the broadcaster time to censor the audio (and video) feed. This can be accomplished by cutting directly to a non-delayed feed, essentially jumping ...
The FDA’s recent ban on Red Dye No. 3, set to take effect by 2027 for foods and 2028 for drugs, marks a significant step in addressing safety concerns over artificial food dyes in the U.S. food ...
The success of Sensurround as an effect led rival studios to develop their own audio enhancements. 20th Century Fox released Damnation Alley (1977) in Sound 360 (and mixed Alien in Sensurround following Sound 360's failure), and Warner Brothers employed their Megasound process for Altered States (1980), Outland (1981), Wolfen (1981) and ...
[6] [22] Lord was particularly concerned with the effects of sound film on children, whom he considered especially susceptible to their allure. [21] In February 1930, several studio heads, including Irving Thalberg of Metro-Goldwyn-Mayer, met with Lord and Quigley. After some revisions, they agreed to the stipulations of the Code.
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