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Joyce J. Scott (born 1948) is an African-American artist, sculptor, quilter, performance artist, installation artist, print-maker, lecturer and educator.Named a MacArthur Fellow in 2016, [1] [2] and a Smithsonian Visionary Artist in 2019, [3] Scott is best known for her figurative sculptures and jewelry using free form, off-loom beadweaving techniques, similar to a peyote stitch. [4]
She is credited with reviving the art of Cherokee beadwork, which had been in serious decline for many years. [3] Her art, expressed through utilitarian items, demonstrates themes such as duality and change throughout life. [8] Berry's beadwork also expresses "current day feelings of conflict, loss, distortion and confusion."
Beadwork is a quintessentially Native American art form, but ironically uses beads imported from Europe and Asia. Glass beads have been in use for almost five centuries in the Americas. Today a wide range of beading styles flourish. In the Great Lakes, Ursuline nuns introduced floral patterns to tribes, who quickly applied them to beadwork. [67]
Huichol art was first documented in the very late 19th century by Carl Lumholtz. This includes the making of beaded earrings, necklaces, anklets and even more. [1] What mostly links the yarn paintings and beaded objects made today is the continuance of the traditional patterns used for centuries to represent and communicate with the gods. [2]
Beadwork is the art or craft of attaching beads to one another by stringing them onto a thread or thin wire with a sewing or beading needle or sewing them to cloth. [1] Beads are produced in a diverse range of materials, shapes, and sizes, and vary by the kind of art produced.
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Métis Art refers to artwork that is produced by the Métis people. The identification of these works is usually done through certain styles and mediums—examples include creating intricate visual pieces using beads, working with leather and animal hide, and the creation of traditional sashes [1] —but it can also be attributed simply as works done by one who identifies as Métis.
The kits were invented, developed and marketed in 1950 by Max S. Klein, an engineer and owner of the Palmer Paint Company in Detroit, Michigan, United States, and Dan Robbins, a commercial artist. When Palmer Paint introduced crayons to consumers, they also posted images online for a "Crayon by Number" version. A completed paint-by-number painting
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