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Italics markup is for non-emphasis purposes, such as for book titles and non-English language phrases, as detailed below. Emphasis may be used to draw attention to an important word or phrase within a sentence, when the point or thrust of the sentence may otherwise not be apparent to readers, or to stress a contrast:
Bold text is stylistically offset from other text without conveying extra importance. The most common use of boldface is to highlight the article title, and often synonyms, in the lead section. Do not use bold text for emphasis. Use ''' to open and close bold text.
A means of emphasis that does not have much effect on blackness is the use of italics, where the text is written in a script style, or oblique, where the vertical orientation of each letter of the text is slanted to the left or right. With one or the other of these techniques (usually only one is available for any typeface), words can be ...
Use of italics should conform to Wikipedia:Manual of Style/Text formatting § Italic type. Do not use articles ( a , an , or the ) as the first word ( Economy of the Second Empire , not The economy of the Second Empire ), unless it is an inseparable part of a name ( The Hague ) or of the title of a work ( A Clockwork Orange , The Simpsons ).
True italic styles are traditionally somewhat narrower than roman fonts. Here is an example of normal and true italics text: Example text set in both roman and italic type. In oblique text, the same type is used as in normal type, but slanted to the right: The same example text set in oblique type
The text of captions should not be specially formatted (with italics, for example), except in ways that would apply if it occurred in the main text. Several discussions (e.g. this one ) have failed to reach a consensus on whether "stage directions" such as (right) or (behind podium) should be in italics, set off with commas, etc.
Arabic typography is the typography of letters, graphemes, characters or text in Arabic script, for example for writing Arabic, Persian, or Urdu. 16th century Arabic typography was a by-product of Latin typography with Syriac and Latin proportions and aesthetics.
A simply slanted (L) and corrected (R) example of oblique type. Italic designs are not just the slanted version of the regular (roman) style; they are influenced by handwriting, with a single-storey a and an f that descends below the line of text. Some may even link up, like cursive (joined-up) handwriting.