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Television was an American rock band formed in New York City in 1973. The group's most prominent lineup consisted of Tom Verlaine (vocals, guitar), Richard Lloyd (guitar), Billy Ficca (drums), and Fred Smith (bass). An early fixture of CBGB and the 1970s New York rock scene, the band is considered influential in the development of punk and ...
"Wolf Like Me" is the first single from American art rock band TV on the Radio's album Return to Cookie Mountain, released in the United Kingdom on July 25, 2006 on 4AD. The single's B-side was the song "Things You Can Do", which was also available as a bonus track on the U.S. release of Return to Cookie Mountain .
Richard Lester Meyers (born October 2, 1949), [1] better known by his stage name Richard Hell, is an American singer, songwriter, bass guitarist and writer.. Hell was in several important early punk rock bands, including Neon Boys, Television and the Heartbreakers, after which he formed Richard Hell & the Voidoids.
"Prove It" is a song by American rock band Television. It was released as the second single from their 1977 debut album, Marquee Moon. NME ranked it 40th on the magazine's year-end list of the best singles from 1977. [citation needed]
The music video for the song features early 3D computer animation illustrating the lyrics. The video was one of the first uses of computer-animated human characters and was groundbreaking at the time of its release. [14] Two other music videos are also featured within "Money for Nothing". The Hungarian pop band Első Emelet [15] and their video ...
"Coffee & TV" is a song by British rock band Blur. It was written by the band's guitarist, Graham Coxon , who also sang lead vocals rather than frontman Damon Albarn . The song appears on Blur's sixth studio album, 13 (1999), and was the second single released from the album on 28 June 1999.
Recorded at CBGB in 1978, the album was released four years after the band broke up. [7] [8] It contains covers of "Knockin' on Heaven's Door" and "Satisfaction". [9]ROIR allegedly acquired the recording from the fan who had bootlegged the band's shows; The Blow-Up's sound quality is typical of a bootlegged recording.
On the album's sound, Mark Deming of AllMusic writes, "Where Marquee Moon was direct and straightforward in its approach, with the subtleties clearly in the performance and not in the production, Adventure is a decidedly softer and less aggressive disc, and while John Jansen's production isn't intrusive, it does round off the edges of the band's sound in a way Andy Johns' work on the first ...