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Calypso in the Caribbean includes a range of genres, including benna in Antigua and Barbuda; mento, a style of Jamaican folk music that greatly influenced ska, the precursor to rocksteady, and reggae; spouge, a style of Barbadian popular music; Dominica cadence-lypso, which mixed calypso with the cadence of Haiti; and soca music, a style of ...
Kaiso is a type of music popular in Trinidad and Tobago, and other countries, especially of the Caribbean, such as Grenada, Belize, Barbados, St. Lucia and Dominica, which originated in West Africa particularly among the Efik and Ibibio people of Nigeria, and later evolved into calypso music.
The major difference between a calypsonian and a calypso singer is that a true calypsonian writes his/her own material, and sings topical music that reflects the reality of the community, an example being Attila the Hun, whereas a calypso singer will tend to sing standards, an example being Ritchie Delamore. Some calypsonians both compose and ...
Calypso was sung throughout the English-speaking Caribbean, and was used by the poor as a platform for social and political commentary, using complex metaphors and folkloric references to obscure their meaning to outsiders. Later, beginning in the 1960s, a popularized kind of calypso was developed for use in tourist hotels.
Rapso music is itself an evolution of the chantwell or griot tradition of African music in the diaspora. It is called, "the poetry of Calypso," and "the Power of the Word in the rhythm of the Word." It is called, "the poetry of Calypso," and "the Power of the Word in the rhythm of the Word."
Spouge is a style of Barbadian popular music created by Jackie Opel in the 1960s. It is primarily a fusion of Jamaican ska with Trinidadian calypso, but is also influenced by a wide variety of musics from the British Isles and United States, including sea shanties, hymns, and spirituals.
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