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A duple-pulse rhythmic cell in Cuban and other Latin American music trill A rapid, usually unmeasured alternation between two harmonically adjacent notes (e.g. an interval of a semitone or a whole tone). A similar alternation using a wider interval is called a tremolo. triplet (shown with a horizontal bracket and a '3')
The abbreviation viz. (or viz without a full stop) is short for the Latin videlicet, which itself is a contraction of the Latin phrase videre licet, meaning "it is permitted to see". [1] [2] [3] It is used as a synonym for "namely", "that is to say", "to wit
Definition Lacuna: gap: A silent pause in a piece of music Ossia: from o ("or") + sia ("that it be") A secondary passage of music which may be played in place of the original Ostinato: stubborn, obstinate: A repeated motif or phrase in a piece of music Pensato: thought out: A composed imaginary note Ritornello: little return
Since then, the music industry classifies all music sung in Spanish or Portuguese as Latin music, including musics from Spain and Portugal. [ 6 ] Following protests from Latinos in New York, a category for Latin music was created by National Recording Academy (NARAS) for the Grammy Awards titled Best Latin Recording in 1975. [ 14 ]
This list may not reflect recent changes. Glossary of music terminology; Glossary of Schenkerian analysis; List of classical music genres; Outline of music *
This is a list of Latin words with derivatives in English language. Ancient orthography did not distinguish between i and j or between u and v. [1] Many modern works distinguish u from v but not i from j. In this article, both distinctions are shown as they are helpful when tracing the origin of English words. See also Latin phonology and ...
Tango. Latin music (Portuguese and Spanish: música latina) is a term used by the music industry as a catch-all category for various styles of music from Ibero-America, which encompasses Latin America, Spain, Portugal, and the Latino population in Canada and the United States, as well as music that is sung in either Spanish and/or Portuguese.
Another way that players may "voice" the same type of chord differently is by adding tones. For example, if a lead sheet shows the chord C Maj 7, some guitarists might play "E,A,D", a voicing which is "open" (insofar as it consists of large intervals) and which contains two "colour" tones, namely the sixth ("A") and the ninth ("D") of the chord.