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The following movies were filmed using 65mm or 70mm negative stock. Titles are followed by the photographic process(es) employed. Releases produced in Todd-AO, Todd-70, Super Panavision 70 (also known as Panavision 70), Panavision System 65 (also known as Panavision Super 70), Dimension 150, Arri 765 and Superpanorama 70 (also known as MClS 70 and MCS Superpanorama 70) were photographed with ...
Original Cinerama screen in the Bellevue Cinerama, Amsterdam (1965–2005) 17-meter curved screen removed in 1978 for 15-meter normal screen. [1]Cinerama is a widescreen process that originally projected images simultaneously from three synchronized 35mm projectors onto a huge, deeply curved screen, subtending 146-degrees of arc.
70 mm Ultra Panavision prints could be produced directly from the negative for use on flat screens, or "rectified" with increased compression towards the sides for use on curved Cinerama screens. Panavision also developed a non-anamorphic 70 mm photographic system in 1959; this was named Super Panavision 70. [2]
Special optics were used to project the 70 mm prints onto a deeply curved screen to mimic the effect of the original three-strip Cinerama process. Unlike formats such as Super 16 and Super 35 , the "super" designation does not denote a modification of the film frame, but was rather to distinguish it as being of superior quality to 35 mm ...
70 mm film (or 65 mm film) is a wide high-resolution film gauge for motion picture photography, with a negative area nearly 3.5 times as large as the standard 35 mm motion picture film format. [1] As used in cameras, the film is 65 mm (2.6 in) wide. For projection, the original 65 mm film is printed on 70 mm (2.8 in) film.
It was the 70 mm version of the Technirama exhibition format. Unlike Super Panavision 70 and Ultra Panavision 70, Super Technirama 70 films were not actually photographed on 65 mm film stock, but rather a specialized 35 mm film process that was then blown up to 70 mm prints for use on curved Cinerama-type screens.
8 perfs, 2 sides 2× anamorphic 70 mm 2.21 1.912" × 0.87" spherical Cinerama 360 [42] Cinerama Corporation: 1962 Journey to the Stars: 65 mm 1.00 (circle) 2.25" diameter circular image 10 perf, 2 sides fisheye 70 mm 1.00 (circle) 2.25" diameter circular image spherical Super 8: Eastman Kodak: 1965 unknown (amateur format) 8 mm 1.48 0.245" × 0 ...
Where Cinerama used a complicated setup of three separate strips of film photographed simultaneously, Todd-AO required only a single camera and lens. The company's focus began to shift after Mike Todd's sudden death in an airplane accident in 1958. [2] The 70 mm Todd-AO process was adopted by Panavision, Cinerama and others.