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A mountain near Pylos was named after Minthe, where one of the few temples of Hades in Greece was situated: Near Pylus, towards the east, is a mountain named after Minthe, who, according to myth, became the concubine of Hades, was trampled under foot by Core, and was transformed into garden-mint, the plant which some call Hedyosmos.
The books are based on Greek mythology and depict the younger generation of the Olympian pantheon as privileged tween students attending Mount Olympus Academy (MOA) to develop their divine skills. The series focuses on four primary characters – Athena, Persephone, Aphrodite, and Artemis — as a diverse group of loyal friends. Athena is noted ...
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.
Castalia / k ə ˈ s t eɪ l i ə / (Ancient Greek: Κασταλία, romanized: Kastalia), in ancient Greek and Roman literature, [1] was the name of a spring near Delphi, sacred to the Muses; it is also known as the Castalian Spring.
In Greek mythology, the river Phlegethon (Φλεγέθων, English translation: "flaming") or Pyriphlegethon (Πυριφλεγέθων, English translation: "fire-flaming") was one of the five rivers in the infernal regions of the underworld, along with the rivers Styx, Lethe, Cocytus, and Acheron.
The fullest surviving and most famous ancient work about transformation in Greek myth is Roman poet Ovid's epic the Metamorphoses. Throughout history, the Metamorphoses has been used not only as a compendium of information on Ancient Greek and Roman lore, but also as a vehicle for allegorical exposition, exegesis, commentaries and adaptations.
In classical Greek mythology, Syrinx / ˈ s ɪ r ɪ ŋ k s / (Ancient Greek: Σύριγξ, romanized: Súrinx, lit. 'pipe') was an Arcadian nymph and a follower of Artemis, known for her chastity. Being pursued by Pan, she fled into the river Ladon, and at her own request was metamorphosed into a reed from which Pan then made his panpipes.
Homer's Odyssey, calling her "Mycene of the fair crown" mentions her in passing, along with Tyro and Alcmene, as "women of old ... fair-tressed Achaean women". [3] Pausanias, citing the Megalai Ehoiai, says that Mycene was the daughter of Inachus and the wife of Arestor, without naming the mother. [4]