Search results
Results from the WOW.Com Content Network
Archibald Motley painting Blues (1929). The Chicago Black Renaissance (also known as the Black Chicago Renaissance) was a creative movement that blossomed out of the Chicago Black Belt on the city's South Side and spanned the 1930s and 1940s before a transformation in art and culture took place in the mid-1950s through the turn of the century.
Archibald John Motley, Jr. (October 7, 1891 – January 16, 1981), [1] was an American visual artist. Motley is most famous for his colorful chronicling of the African-American experience in Chicago during the 1920s and 1930s, and is considered one of the major contributors to the Harlem Renaissance, or the New Negro Movement, a time in which African-American art reached new heights not just ...
The Chicago Black Renaissance and women's activism (U of Illinois Press, 2023. Lemann, Nicholas. The Promised Land: The Great Migration and How It Changed America (1991). Logan, John R., Weiwei Zhang, and Miao David Chunyu. "Emergent ghettos: Black neighborhoods in New York and Chicago, 1880–1940." American Journal of Sociology 120.4 (2015 ...
The entertainment industry is in the midst of a cultural transformation that is driving a new renaissance for African-American artists, Lena Waithe and others observed Friday night during a panel ...
School of the Art Institute of Chicago: Known for: Painting; visual art: Notable work: The Contribution of the Negro to American Democracy: Movement: New Negro Movement (Chicago Black Renaissance) Spouse(s) Elizabeth Catlett (m. 1941-1946; divorced) Frances Barrett (m. 1950-1979; his death) [1]
A new art exhibit at the Spelman College Museum of Art reimagines Renaissance-era creation stories with Black religions and history at the center.
Chicago's black arts movement came to rival the vibrancy seen in New York's Harlem Renaissance, and Sebree benefited from connections with artists such as Margaret Taylor-Burroughs and Eldzier Cortor, as well as the network of support created through affiliations with such institutions as the South Side Community Arts Center and the Art Institute.
Renaissance art largely excluded Black people, even as it emerged during the early phases of the transatlantic slave trade which ultimately brought 10.7 million African men, women and children to ...