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Black Abstractionism is a term that refers to a modern arts movement that celebrates Black artists of African-American and African ancestry, whether as direct descendants of Africa or of a combined mixed-race heritage, who create work that is not representational, presenting the viewer with abstract expression, imagery, and ideas.
The 1998 Tony award winning Broadway play 'Art' employed a white monochrome painting as a prop to generate an argument about aesthetics which made up the bulk of the play. The 1995 Cesar award winning movie The Three Brothers featured a white monochrome painting by fictitious artist Whiteman (inspired by K. Malevich White on White masterpiece).
Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. [1] Abstract art, non-figurative art, non-objective art, and non-representational art are all closely related terms. They have similar, but perhaps not identical, meanings.
The Black Paintings (Spanish: Pinturas negras) is the name given to a group of 14 paintings by Francisco Goya from the later years of his life, probably between 1820 and 1823. They portray intense, haunting themes, reflective of both his fear of insanity and his bleak outlook on humanity.
His paintings straddled both camps within the abstract expressionist rubric, Action painting and Color Field painting. Having seen Pollock's 1951 paintings of thinned black oil paint stained into raw canvas, Frankenthaler began to produce stain paintings in varied oil colors on raw canvas in 1952.
One can also artificially limit the range of color in a photo to those within a certain hue by using black-and-white film or paper, or by manipulating color images using computer software. Color images can be converted to black and white on the computer using several methods, including desaturating the existing color RGB image so that no color ...
Alma Woodsey Thomas (September 22, 1891 – February 24, 1978) was an African-American artist and Art teacher who lived and worked in Washington, D.C., and is now recognized as a major American painter of the 20th century.
During this period, black painters were routinely ignored by the New York art establishment. [6] “I couldn’t get into a commercial gallery where a white person was running it," Clark recalled in the oral history. "A lot of the spaces I was showing in … I rented out the spaces!" [2]
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