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African countries where masks are used traditionally Sande society sowei mask, 20th century Baoule Kple Kple Mask. Traditional African masks are worn in ceremonies and rituals across West, Central, and Southern Africa. They are used in events such as harvest celebrations, funerals, rites of passage, weddings, and coronations.
In the Chokwe people of Central Africa, the chikunga is a sacred ceremonial mask. Of the many ceremonial masks, the chikunga is considered to be the most powerful, and it is only worn by the tribal chief. The chikunga mask is made by stretching barkcloth over an array of wicker bits. It then is painted black with red and white designs.
The masks can be worn in three different ways: vertically covering the face: as helmets, encasing the entire head, and as a crest, resting upon the head, which was commonly covered by material as part of the disguise. African masks often represent a spirit and it is strongly believed that the spirit of the ancestors possesses the wearer.
Mwaash aMbooy mu shall masks are worn by the nyimi, or king, of the Kuba or by chiefs in villages. The nyimi's mask is usually made of leopard skin, while those of chiefs are made of antelope skin. [2] One of the principal Kuba dance masks is called pwoom itok. The chief identifying characteristic is the shape of the eyes, whose centers are ...
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Compared stylistically to Japanese art, [7] the masks are typically oval in shape, with narrowed eyes, arched eyebrows and small ears. [2] The male masks (ikwar) tend to be brown and black pigment over kaolin and viewed as ugly and are shown at night whilst the masks for females (mukudj) tend to be lighter and considered prettier by the locals and are shown in the day. [8]
The face mask on each performer is essential to identify the Okuyi. In Equatorial Guinea masks differ from one another, but in Gabon the design has been kept constant since the nineteenth century. The design is basically a black chin and a black forehead with white covering the cheeks and upper face sides.
Mask from Gabon Two Chiwara c. late 19th early 20th centuries, Art Institute of Chicago.Female (left) and male, vertical styles. Most African sculpture from regions south of the Sahara was historically made of wood and other organic materials that have not survived from earlier than a few centuries ago, while older pottery figures are found from a number of areas.
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