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(You ain’t nothin’ but a) Dog, player, ah, get it Fraud, player, ah, get it I understand, I understand You ain’t the man, you ain’t a man (You ain’t nothin’ but a) Hound dog, hound dog ...
The song's lyrics refer to a man who was an "underwhelming lover" [3] whom Doja Cat feels "never deserved her attention". [4] Produced by Rogét Chahayed and Yeti Beats, it samples Shonka Dukureh's recording of the song "Hound Dog", which was written by Jerry Leiber and Mike Stoller, first recorded by Big Mama Thornton (who Dukureh plays in the film) in 1952 and notably covered by Presley.
"(You Ain't Nothin' But a Female) Hound Dog" (King 45–1212) recorded by vocalist Charlie Gore and guitarist Louis Innis on March 22 for King Records on March 22. [ 115 ] [ 116 ] This song was credited to Innis, Lois Mann (a pseudonym of King Records owner Syd Nathan, the latter his wife's maiden name), [ 117 ] and Johnny Otis.
The audience response at Presley's live shows became increasingly fevered. Moore recalled, "He'd start out, 'You ain't nothin' but a Hound Dog,' and they'd just go to pieces. They'd always react the same way. There'd be a riot every time."
After meeting Snoop Dogg, Dr. Dre decided on making "Nuthin' but a 'G' Thang," a song he had been working on, into a featured track, asking Snoop Dogg to add his vocals to it. Snoop Dogg, while in prison, recorded the original version of the song's vocals over the phone.
The Showstoppers (alternatively the Show Stoppers) [1] was a four-piece African-American vocal soul group formed in Philadelphia about 1967. [1] They are best remembered for their 1967 hit, "Ain't Nothin' But a Houseparty", [1] which was the debut release on three record labels: Showtime Records, Heritage Records, and Beacon Records.
"Love ain't nothin' but a lot of misery," he would declare, exhibiting no emotion in his characterization of the female as demanding, unprediciable, and untrustworthy. But unlike his predecessors in the blues, he did not cry or get uptight over it. The spirit of the song is the good-natured optimism that characterized his work. [5]
There’s a lot of insight in “The Black Dog” about Swift’s feelings about Healy and grief post-split. Here, all the possible references to him, annotated. Verse 1: