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Thornton's recording of "Hound Dog" is credited with "helping to spur the evolution of black R&B into rock music". [9] Brandeis University professor Stephen J. Whitefield, in his 2001 book In Search of American Jewish Culture, regards "Hound Dog" as a marker of "the success of race-mixing in music a year before the desegregation of public schools was mandated" in Brown v.
The song's lyrics refer to a man who was an "underwhelming lover" [3] whom Doja Cat feels "never deserved her attention". [4] Produced by Rogét Chahayed and Yeti Beats, it samples Shonka Dukureh's recording of the song "Hound Dog", which was written by Jerry Leiber and Mike Stoller, first recorded by Big Mama Thornton (who Dukureh plays in the film) in 1952 and notably covered by Presley.
Willie Mae "Big Mama" Thornton (December 11, 1926 – July 25, 1984), [1] was an American singer and songwriter of blues and R&B.. The Encyclopedia of Pop, Rock and Soul described Thornton saying "Her booming voice, sometimes 200-pound frame, and exuberant stage manner had audiences stomping their feet and shouting encouragement in R&B theaters from coast to coast from the early 1950s on".
The song, which interpolates Big Mama Thornton’s 1952 foundational rock and roll song “Hound Dog,” was the first taste of Elvis Original Motion Picture Soundtrack, which also features songs ...
In 1955, they made their first recordings for the Teen Records label, including an adaption of Leiber and Stoller's "Hound Dog" (first recorded by Big Mama Thornton). [1] When performing the song in Las Vegas, they were seen by Elvis Presley, who was impressed and decided to record the song himself. [2] [3]
A parody version by American country music duo Homer and Jethro (titled "That Hound Dog in the Window") was released in November in the UK after the song had left the charts. In May 1954, the UK branch of Mercury re-issued Page's recording.
In 2009, Simon & Schuster published Hound Dog: The Leiber and Stoller Autobiography, written by Leiber and Stoller with David Ritz. [20] As of 2007, their songs are managed by Sony/ATV Music Publishing. [21] With collaborator Artie Butler, Stoller wrote the music to the musical The People in the Picture, with book and lyrics by Iris Rainer Dart.
During this session he also recorded "Hound Dog", and "Any Way You Want Me". [2] The song featured Presley's band of Scotty Moore on lead guitar (with Presley usually providing rhythm guitar), Bill Black on double bass, D. J. Fontana on drums, Shorty Long on piano, and backing vocals from the Jordanaires.