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For example, if the sentence "some electrons are bonded to protons" is true then it can be used to justify that electrons and protons exist. [115] Quine used this insight to argue that one can learn about metaphysics by closely analyzing [ o ] scientific claims to understand what kind of metaphysical picture of the world they presuppose.
An extended metaphor, also known as a conceit or sustained metaphor, is the use of a single metaphor or analogy at length in a work of literature. It differs from a mere metaphor in its length, and in having more than one single point of contact between the object described (the so-called tenor) and the comparison used to describe it (the vehicle).
Ramsey sentences are formal logical reconstructions of theoretical propositions attempting to draw a line between science and metaphysics. A Ramsey sentence aims at rendering propositions containing non-observable theoretical terms (terms employed by a theoretical language) clear by substituting them with observational terms (terms employed by an observation language, also called empirical ...
The following outline is provided as an overview of and topical guide to metaphysics: . Metaphysics – traditional branch of philosophy concerned with explaining the fundamental nature of being and the world that encompasses it, [1] although the term is not easily defined. [2]
Metafiction is a form of fiction that emphasizes its own narrative structure in a way that inherently reminds the audience that they are reading or viewing a fictional work. Metafiction is self-conscious about language, literary form, and story-telling, and works of metafiction directly or indirectly draw attention to their status as artifacts ...
Metadiscourse contained within a written work can be any phrase that is included within a clause or sentence that goes beyond the subject itself, often to examine the purpose of the sentence or a response from the author, usually as an introductory adverbial clause. Metadiscourse often includes phrases such as "frankly," "after all," "on the ...
Derrida identifies this bias, logocentrism, as central to Western metaphysical thought, which privileges "presence" and direct expression in speech. This bias has stifled deeper inquiry into writing's origin and role, reducing it to a mere technical tool rather than acknowledging it as fundamental to meaning-making.
In literature, the paradox is an anomalous juxtaposition of incongruous ideas for the sake of striking exposition or unexpected insight. It functions as a method of literary composition and analysis that involves examining apparently contradictory statements and drawing conclusions either to reconcile them or to explain their presence.