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  2. List of guitar tunings - Wikipedia

    en.wikipedia.org/wiki/List_of_guitar_tunings

    Alternative variants are easy from this tuning, but because several chords inherently omit the lowest string, it may leave some chords relatively thin or incomplete with the top string missing (the D chord, for instance, must be fretted 5-4-3-2-3 to include F#, the tone a major third above D). Baroque guitar standard tuning – a–D–g–b–e

  3. Open B tuning - Wikipedia

    en.wikipedia.org/wiki/Open_B_tuning

    Open B Tuning is an open tuning for guitar. The open string notes in this tuning are B-F ♯-B-F ♯-B-D ♯. It uses the three notes that form the triad of a B major chord: B, the root note; F ♯, the perfect fifth; and D ♯, the major third. When the guitar is strummed without fretting any of the strings, a B major chord is sounded. This ...

  4. Guitar chord - Wikipedia

    en.wikipedia.org/wiki/Guitar_chord

    The implementation of chords using particular tunings is a defining part of the literature on guitar chords, which is omitted in the abstract musical-theory of chords for all instruments. For example, in the guitar (like other stringed instruments but unlike the piano ), open-string notes are not fretted and so require less hand-motion.

  5. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    I–V–vi–IV chord progression in C Play ⓘ. vi–IV–I–V chord progression in C Play ⓘ. The I–V–vi–IV progression is a common chord progression popular across several genres of music. It uses the I, V, vi, and IV chords of a musical scale. For example, in the key of C major, this progression would be C–G–Am–F. [1 ...

  6. B minor - Wikipedia

    en.wikipedia.org/wiki/B_minor

    Mass in B minor; Orchestral Suite No. 2, BWV 1067; Prelude and Fugue in B minor, BWV 544; French Suite No. 3, BWV 814; Partita No. 1 in B minor, BWV 1002; Flute Sonata in B minor, BWV 1030; Ludwig van Beethoven. Bagatelle Op. 126/4; Allegretto WoO 61 for piano; Charles Auguste de Bériot. Violin Concerto No. 2 in B Minor, Op. 32; Alban Berg ...

  7. Overtones tuning - Wikipedia

    en.wikipedia.org/wiki/Overtones_tuning

    In comparison with standard tuning, each major-chord open-string tuning reinforces different "overtones and can actually make the guitar sound louder and more resonant". [3] To explain this resonance and strengthened sound, the example of the overtones on C has been used; and C's overtones is a standard example for explaining the sequence of ...

  8. Nashville Number System - Wikipedia

    en.wikipedia.org/wiki/Nashville_Number_System

    Other chord qualities such as major sevenths, suspended chords, and dominant sevenths use familiar symbols: 4 Δ 7 5 sus 5 7 1 would stand for F Δ 7 G sus G 7 C in the key of C, or E ♭ Δ 7 F sus F 7 B ♭ in the key of B ♭. A 2 means "add 2" or "add 9". Chord inversions and chords with other altered bass notes are notated analogously to ...

  9. Don't Bother Me - Wikipedia

    en.wikipedia.org/wiki/Don't_Bother_Me

    The song follows the E Dorian mode: the Em of "since she's been gone" shifting to a v (Bm chord) on "gone" then an IV (A chord) on "no-one” in the verse. The chords of the chorus (Em-A-Em) also create the Dorian progression i-IV-i. [10] The song achieves a thick sound through its double-tracked vocal, reverbed guitars, and busy drumming.

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