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Other science fiction and horror films released in the late 1950s and 1960s with enlargement or shrinking as a major plot element include Tarantula, The Phantom Planet, Fantastic Voyage (which was adapted into an animated television series of the same name), and Attack of the 50 Foot Woman—which got a remake in 1993 starring Daryl Hannah and ...
Urdu literature (Urdu: ادبیاتِ اُردُو, “Adbiyāt-i Urdū”) comprises the literary works, written in the Urdu language.While it tends to be dominated by poetry, especially the verse forms of the ghazal (غزل) and nazm (نظم), it has expanded into other styles of writing, including that of the short story, or afsana (افسانہ).
In mathematics, an enlargement is a uniform scaling, an example of a Homothetic transformation that increases distances, areas and volumes. Enlargement (in fiction) is a theme in fiction, especially in science fiction and fantasy. An enlargement is a photographic print that is larger than the negative it is printed from, through the use of an ...
Pakistani literature (Urdu: ادبیاتِ پاکستان) is a distinct literature that gradually came to be defined after Pakistan gained nationhood status in 1947, emerging out of literary traditions of the South Asia. [1]
Fiction about size change. Subcategories. This category has the following 8 subcategories, out of 8 total. A. Alice's Adventures in Wonderland (4 C, 31 P, 1 F)
Urdu poetry (Urdu: اُردُو شاعرى Urdū šāʿirī) is a tradition of poetry and has many different forms. Today, it is an important part of the culture of India and Pakistan . According to Naseer Turabi, there are five major poets of Urdu: Mir Taqi Mir (d. 1810), Mirza Ghalib (d. 1869), Mir Anees (d. 1874), Muhammad Iqbal (d. 1938 ...
Nazm is a significant genre of Urdu and Sindhi poetry; the other one is known as ghazal. Nazm is significantly written by controlling one’s thoughts and feelings, which are constructively discussed as well as developed and finally, concluded, according to the poetic laws.
The Urdu ghazal makes use of a store of common characters, settings, images, and metaphors that inform both readers and poets of how to navigate the aforementioned ghazal universe. [33] These tropes have been cultivated for hundreds of years and are meant to deeply resonate with listeners of the ghazal, invoking their expectations of meaning. [33]