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Collection of Staffordshire figures in a museum in Delaware, US [1] Staffordshire figures are a type of popular pottery figurine made in England from the 18th century onward. Many Staffordshire figures made from 1740 to 1900 were produced by small potteries and makers' marks are generally absent.
Bodley & Harrold ceramic mark. The business continued to expand, and came to occupy three sites. [11] The Hill Top Pottery in Burslem was a legacy of Samuel Alcock. It came via Alcock & Diggory to Bodley & Diggory in 1870, and to E. F. Bodley & Co. in 1871. [12] Thomas Richard Diggory, partner for a short time with Bodley, was declared bankrupt ...
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Thomas Whieldon (September 1719 in Penkhull, Staffordshire – March 1795) was an English potter who played a leading role in the development of Staffordshire pottery. The attribution of actual pieces to his factory has long been uncertain, and terms such as "Whieldon-type" are now often used for a variety of different types of wares.
Wilton Ware, a brand of English pottery, was the brand name of A.G.Harley-Jones factory. Wilton Ware was produced in Fenton , Stoke on Trent , Staffordshire , England from 1904 to 1934. Horace Wain left Carlton Ware and became the designer for the factory in the early 1920s.
The Ridgway family was one of the important dynasties manufacturing Staffordshire pottery, with a large number of family members and business names, over a period from the 1790s to the late 20th century. In their heyday in the mid-19th century there were several different potteries run by different branches of the family.
Hundreds of companies produced all kinds of pottery, from tablewares and decorative pieces to industrial items. The main pottery types of earthenware, stoneware and porcelain were all made in large quantities, and the Staffordshire industry was a major innovator in developing new varieties of ceramic bodies such as bone china and jasperware, as well as pioneering transfer printing and other ...
In 1881, it was quoted that Forester had purchased the two adjoining works, with the aim of turning the buildings into one large pottery. The enlarged new pottery was then called Phoenix Pottery. [5] Following this move, in 1881, Forester received the largest order for Majolica goods ever received by a Pottery in Staffordshire up to that year ...