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Microtonality is the use in music of microtones — intervals smaller than a semitone, also called "microintervals".It may also be extended to include any music using intervals not found in the customary Western tuning of twelve equal intervals per octave.
Quarter tone on C. A quarter tone is a pitch halfway between the usual notes of a chromatic scale or an interval about half as wide (orally, or logarithmically) as a semitone, which itself is half a whole tone.
The historical field of world history, which looks at common themes occurring across multiple cultures and regions, has enjoyed extensive development since the 1980s. [15] However, World History research has tended to focus on early modern globalization (beginning around 1500) and subsequent developments, and views post-classical history as ...
A certain rhythm does sometimes identify the style of a performer, but this is dependent upon their performance technique and is never characteristic of the maqam as such." [ 2 ] The compositional or rather precompositional aspect of the maqam is the tonal-spatial organization, including the number of tone levels, and the improvisational aspect ...
A microtone is a small interval, smaller than a semitone. Bach used semitones, but we don't call his music semitonal, or chromatic, or whatever. I compose extended JI, and the majority of intervals I use are significantly wider than a whole tone. Microtones crop up in the voice leading, but are not especially prevalent.
Many musicians use functional pitch recognition in order to identify, understand, and appreciate the roles and meanings of pitches within a key. To this end, scale-degree numbers or movable- do solmization ( do, re, mi, etc.) can be quite helpful.
The modern keyboard is designed for playing a diatonic scale on the white keys and a pentatonic scale on the black keys. Chromatic scales involve both. Three immediately adjacent keys produce a basic chromatic tone cluster.
The frontmost key is used, in addition to the thumb key, to create G ♭ 2 and G ♭ 3; on many bassoons this key operates a different tone hole to the thumb key and produces a slightly flatter F ♯ ("duplicated F ♯ "); some techniques use one as standard for both octaves and the other for utility, but others use the thumb key for the lower ...