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Logotype of the VistaVision format. A VistaVision 35 mm film frame (the dotted area shows a 1.85:1 aspect ratio crop). VistaVision is a higher resolution, widescreen variant of the 35 mm motion picture film format that was created by engineers at Paramount Pictures in 1954.
Paramount Presents VistaVision: 1954: Paramount: 19-minute promo film: VistaVision Visits Norway: 1954: Paramount: Short film White Christmas: 1954: Paramount: First VistaVision release [1] 3 Ring Circus: 1954: Paramount [2] An Alligator Named Daisy: 1955: Rank: Artists and Models: 1955: Paramount [3] The Desperate Hours: 1955: Paramount: First ...
The Technirama process used a film frame area twice as large as CinemaScope. This gave the former a sharper image with less photographic grain. Cameras used 35mm film running horizontally with an 8-perforation frame, double the normal size, exactly the same as VistaVision. VistaVision cameras were sometimes adapted for Technirama.
35 mm film is a film gauge used in filmmaking, and the film standard. [1] In motion pictures that record on film, 35 mm is the most commonly used gauge. The name of the gauge is not a direct measurement, and refers to the nominal width of the 35 mm format photographic film, which consists of strips 1.377 ± 0.001 inches (34.976 ± 0.025 mm) wide.
In cinematography, full frame refers to an image area (today most commonly on a digital sensor) that is the same size as that used by a 35mm still camera. [1] Still cameras run the film horizontally behind the lens, whereas standard 35mm motion-picture cameras run the film vertically. Thus a 35mm still camera's image is significantly larger ...
Because the 35mm film is exposed horizontally (as with a still camera), hence "lazy," 8 perforations/frame. This is in the text, dunno if it was in December 2007 though. The outcome is a wonderful/awesome, very sharp looking motion picture but it gobbles film (too costly) and projection isn't as easy, either, which is why the format faded away ...
The orb appears white in the distance and takes on a blue tint as it gets closer to the camera. The potential object outpaces every boat on the Hudson and quickly arcs its way past the news chopper.
That puts the motor cue at frames 198–195 from the end of the picture section of the reel (12.34 to 12.15 feet; or 12-foot-6-frames through 12-foot-3-frames), and the changeover cue at frames 21–19 from the end (1.31 to 1.18 feet; or 1-foot-5-frames through 1-foot-3-frames). As of January 2005, most domestic United States release prints ...
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