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Wikidata:WikiProject sum of all paintings/Catalog/The complete paintings of El Greco, 1541-1614 Metadata This file contains additional information, probably added from the digital camera or scanner used to create or digitize it.
Where art historian José Camón Aznar had attributed between 787 and 829 paintings to El Greco, Wethey reduced the number to 285 authentic works. Halldor Sœhner, a German researcher of Spanish art, recognized only 137. [7] Both Wethey and Sœhner divided in their catalogues the works in those painted by El Greco and those produced by his ...
Wikidata:WikiProject sum of all paintings/Catalog/El Greco, the life and work of the artist Metadata This file contains additional information, probably added from the digital camera or scanner used to create or digitize it.
El Greco's altarpieces are renowned for their dynamic compositions and startling innovations. Art historian Max Dvořák was the first scholar to connect El Greco's art with Mannerism and Antinaturalism. [34] Modern scholars characterize El Greco's theory as "typically Mannerist" and pinpoint its sources in the Neoplatonism of the Renaissance. [35]
Wikidata:WikiProject sum of all paintings/Catalog/El Greco and his school; Wikidata:WikiProject sum of all paintings/Catalog/El Greco catalog raisonné, 1969; Wikidata:WikiProject sum of all paintings/Catalog/El Greco catalogue raisonné, 1908; Wikidata:WikiProject sum of all paintings/Catalog/The complete paintings of El Greco, 1541-1614
Paintings by Doménicos Theotokópoulos (Greek: Δομήνικος Θεοτοκόπουλος), called El Greco ("the Greek", 1541 – April 7, 1614), a Greek-born painter who worked in Crete, Italy and Spain
Saint Peter and Saint Paul is a painting by the Cretan-Spanish artist El Greco. The work was completed between 1590 and 1600. The work was completed between 1590 and 1600. It is currently on display at the Museu Nacional d'Art de Catalunya , who purchased the work in 1932.
It is considered by several authors as the masterpiece of the Venetian period of El Greco. Despite containing some Cretan elements acquired during his formal training, [4] this painting can be fully considered a work of the Italian Renaissance. Perspective emphasizes the handling of the anatomy, the application of color and drama of the scene.