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The Don Giovanni Moment: Essays on the Legacy of an Opera. Columbia Press University, New York. Kaminsky, Peter (1996). "How to Do things with Words and Music: Towards an Analysis of Selected ensembles in Mozart's Don Giovanni." Theory and Practice; Noske, F[rits] R[udolf] [in Dutch] (1970). "Don Giovanni: Musical Affinities and Dramatic ...
"Il mio tesoro" (or "Il mio tesoro intanto") is an aria for lyric tenor voice from scene 2 in act 2 of Mozart's opera Don Giovanni.It is often performed in recitals and featured in anthologies of music for tenor. [1]
Don Giovanni (1787); Così fan tutte (1790). All created for the Court Opera in Vienna, they are in Italian, the language considered most suitable for opera at the time, and are Mozart’s most popular operas apart from Die Entführung aus dem Serail and The Magic Flute, composed on German libretti in the Singspiel genre.
"Là ci darem la mano" is a duet sung by Don Giovanni and Zerlina in act 1 of Mozart's 1787 opera Don Giovanni. In a manuscript of this composition, dedicated to his schoolfriend Tytus Woyciechowski, the latter replied on the title page in written form „J’accepte avec plaisir“ („I accept with pleasure“).
Don Giovanni The role was created by Antonio Baglioni [Wikidata], [4] who sang Don Ottavio in the premiere of Mozart's opera. Pasquariello, Don Giovanni's manservant ; The Commendatore (bass) Donna Anna, the Commendatore's daughter ; Duca Ottavio, Donna Anna's fiancé (tenor) Donna Elvira, a former lover of Don Giovanni (soprano)
The vocal range for Don Giovanni covers E 3 to E 4, Zerlina's range covers E 4 to F ♯ 5. The piece is labelled a "duettino", a "little duet". The piece is labelled a "duettino", a "little duet". This may be because the two roles sing only as a duet towards the very end of the piece, after Zerlina's assenting Andiam! .
On Saturday (June 28), she'll make her Santa Fe Opera debut in the role of Donna Anna in "Don Giovanni." Premiered in Prague in 1787, the opera is based on the legend of Don Juan, a notorious ...
Liszt in 1843, around the time of the piece's conception. The Fantasy on Themes from Mozart's Figaro and Don Giovanni [1] (German: Fantasie über Themen aus Mozarts Figaro und Don Giovanni), [2] S.697, is an operatic paraphrase for solo piano by Franz Liszt, based on themes from two different Mozart's operas: The Marriage of Figaro, K.492 and Don Giovanni, K.527.