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  2. Saburo Murakami - Wikipedia

    en.wikipedia.org/wiki/Saburo_Murakami

    Saburo Murakami (Japanese: 村上 三郎, Hepburn: Murakami Saburō, June 27, 1925 – January 11, 1996) was a Japanese visual and performance artist. He was a member of the Gutai Art Association and is best known for his paper-breaking performances (kami-yaburi) in which he burst through kraft paper stretched on large wooden frames.

  3. Quilling - Wikipedia

    en.wikipedia.org/wiki/Quilling

    It is available in various dimensions, such as 1/8”, 1/4” and 3/8" or 3mm, 5mm, 7mm, and 10mm paper parcels, [6] 5mm being the most widely-used size. Acid-Free. As the name clearly indicates this is a paper that is completely acid-free. The quality makes it an outstanding choice for making scrapbooks, rubber stamping, and creating frames ...

  4. Shoji - Wikipedia

    en.wikipedia.org/wiki/Shoji

    Shoji are most commonly filled with a single sheet of paper, pasted across the back of the frame (on the outer side). Shoji may also be papered on both sides, which increases thermal insulation and sound absorption; the frame is still visible in silhouette. [51] futsū ("common") shoji (普通障子) have a frame on one side, paper on the other [6]

  5. Yonkoma - Wikipedia

    en.wikipedia.org/wiki/Yonkoma

    Yonkoma manga (4コマ漫画, "four cell manga" or 4-koma for short) is a comic strip format that generally consists of gag comic strips within four panels of equal size ordered from top to bottom. They also sometimes run right-to-left horizontally or use a hybrid 2×2 style, depending on the layout requirements of the publication in which they ...

  6. Papercutting - Wikipedia

    en.wikipedia.org/wiki/Papercutting

    Paper-cut with stupa. One of the earliest known papercuts, this specimen was recovered by Paul Pelliot in the Dunhuang grotto and is dated to the tenth century. Bibliothèque nationale de France Chinese paper cuttings (2014) Papercutting or paper cutting is the art of paper designs. Art has evolved all over the world to adapt to different ...

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