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Giotto di Bondone (Italian: [ˈdʒɔtto di bonˈdoːne]; c. 1267 [a] – January 8, 1337), [2] [3] known mononymously as Giotto [b], was an Italian painter and architect from Florence during the Late Middle Ages. He worked during the Gothic and Proto-Renaissance period. [7]
Giottino (fl. 1324 – 1369), also known as Tommaso Fiorentino, was an early Italian painter from Florence. His real name was Maso di Stefano or Tommaso di Stefano. Giottino's father, Maestro Stefano Fiorentino, "Stefano the Florentine", was a celebrated painter in the school of Giotto whose naturalism earned him the appellation "Scimmia della
Lamentation (The Mourning of Christ) is a fresco painted c.1305 by the Italian artist Giotto as part of his cycle of the Life of Christ on the interior walls of the Scrovegni Chapel in Padua, Italy. [1] The Scrovegni Chapel was built as a private chapel next to the Eremitani Monastery by the wealthy Scrovegni family and consecrated in 1305.
Following is a list of Italian painters (in alphabetical order) who are notable for their art. ... Giotto (1267–1337) Giovanni da Milano (fl. 1346–1369)
Paintings by Giotto di Bondone (1266−1337) — the renowned Italian Late Gothic artist of frescos and polychrome works. Pages in category "Paintings by Giotto" ...
One of Giotto's later works, Madonna Enthroned was completed in Florence, upon the artist's return to the city. It was originally painted for the Ognissanti church in Florence. Built for the Humiliati , a small religious order at the time, the church had many acclaimed paintings designed for it.
Saint Francis Receiving the Stigmata is a panel painting in tempera by the Italian artist Giotto, painted around 1295–1300 for the Church of Saint Francis in Pisa and it is now in the Musée du Louvre in Paris. It shows an episode from the life of Saint Francis of Assisi, and is 314 cm high (to the top of the triangule) by 162 cm wide.
This article about the development of themes in Italian Renaissance painting is an extension to the article Italian Renaissance painting, for which it provides additional pictures with commentary. The works encompassed are from Giotto in the early 14th century to Michelangelo 's Last Judgement of the 1530s.