Search results
Results from the WOW.Com Content Network
These ensembles consist of various sizes of tension drums along with special band drums (ogido). The gangan [6] is another such. The leader of a dundun ensemble is the oniyalu who uses the drum to "talk" by imitating the tonality of Yoruba. Much of Yoruba music is spiritual in nature, and this form is often devoted to Orisas. [citation needed]
The Batá drum is a double-headed hourglass drum [1] with one end larger than the other. The percussion instrument is still used for its original purpose as it is one of the most important drums in the Yoruba land and used for traditional and religious activities among the Yoruba of western Nigeria.
The talking drum is an hourglass-shaped drum from West Africa, whose pitch can be regulated to mimic the tone and prosody of human speech. [1] [2] [3] It has two drumheads connected by leather tension cords, which allow the player to change the pitch of the drum by scraping the cords between their arm and body.
The men use goat skin to make the heads of these drums, or for the largest drum may use cow or antelope skin. [2] The fingers of one hand change the tone of the drum, while the drummer hits the face of the drum with a stick. When several sakara drums are played together, the iya ilu is the main voice, and dictates the pace and rhythmic style.
The Gbedu drum is traditionally used on state occasions or during ceremonies of Ogboni, the ancient Yoruba secret society. [1] The Gbedu, also called Ogido, is one of the four major drums in traditional Yoruba drum sets; the other major drums are the Dundun/Gangan or talking drum, the Batá drum and the Sakara drum.
Aláàrìnjó (otherwise known as Apidàn) is a traditional dance-theatre troupe among the Yoruba. According to music historian Roger Blench, Aláàrìnjó dates back to the sixteenth century and probably developed from the Egúngún masquerade. However, it soon became professional and split into competing groups.
Sakara music is a form of popular Nigerian music based in the traditions of Yoruba music.It mostly in the form of praise songs, that uses only traditional Yoruba instruments such as the solemn-sounding goje violin, and the small round sakara drum, which is similar to a tambourine and is beaten with a stick. [1]
Some call the ashiko a "male" counterpart to the djembe, though this is contradicted by references to the relatively matriarchal Yoruba culture. Also it being regarded as "between a djembe and a conga" is seen as wrong, and disrespectful to the ashiko itself and its own tradition, including a distinct playing technique, different from the djembe or conga.