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Sergei Prokofiev set about composing his Piano Concerto No. 1 in D-flat major, Op. 10, in 1911, and finished it the next year. The shortest of all his concertos, it is in one movement, about 15 minutes in duration, and dedicated to the “dreaded Tcherepnin .” [ 1 ]
A concert piece (German: Konzertstück; French: pièce de concert, also morceau de concert) is a musical composition, in most cases in one movement, intended for performance in a concert. Usually it is written for one or more virtuoso instrumental soloists and orchestral or piano accompaniment. [1]
Piano Concerto No. 1 refers to the first piano concerto published by one of a number of composers: Piano Concerto No. 1 (Bartók) (Sz. 83), by Béla Bartók; Piano Concerto No. 1 (Beethoven) (Op. 15), by Ludwig van Beethoven; Piano Concerto No. 1 (Brahms) (Op. 15), by Johannes Brahms; Piano Concerto No. 1 (Chopin) (Op. 11), by Frédéric Chopin
The best known left-hand concerto is the Piano Concerto for the Left Hand in D by Maurice Ravel, which was written for Paul Wittgenstein between 1929 and 1930. Wittgenstein, who lost his right arm in World War I, commissioned a number of such works around that time, as did Otakar Hollmann .
A concerto (/ k ə n ˈ tʃ ɛər t oʊ /; plural concertos, or concerti from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble.
Piano Concerto: for piano and orchestra Concertante: 48: 1977–1978: Oboe Concerto: for oboe and orchestra: unfinished, only 2nd movement Canzonetta completed but not orchestrated; Canzonetta orchestrated for oboe and strings by Charles Turner and published in 1981 posthumously as "Opus 48" Chamber music: 1922: Gypsy Dance from The Rose Tree ...
Sergei Rachmaninoff composed his Piano Concerto No. 1 in F ♯ minor, Op. 1, in 1891, at age 17–18 (the first two movements were completed while he was still 17; the third movement and the orchestration were completed shortly after he had turned 18). He dedicated the work to Alexander Siloti. He revised the work thoroughly in 1917.
String Quartet No. 3 in One Movement (1948) Piano Trio (1948) Sonata No. 1 in One Movement (Prima Sonata in un tempo) for viola and piano (1950) Divertimento for flute, violin, viola, cello and harp (1950–1953) Divertimento for flute, cello and piano (1954) String Quartet No. 4 "La melanconia" (1955) Concerto in One Movement for violin and ...