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The Power is a 2021 Indian Hindi-language action thriller film directed by Mahesh Manjrekar and produced by Pen India Limited and Galani Entertainments. [1] It stars Vidyut Jammwal , Mahesh Manjrekar, Shruti Haasan , Zakir Hussain , Sonal Chauhan , Medha Manjrekar , Prateik Babbar , Sachin Khedekar and Jisshu Sengupta .
Haasan in 2014. Shruti Haasan is an Indian actress and singer who works in Telugu, Hindi and Tamil films. [1] She started her career as a playback singer at the age of six in the 1992 Tamil film Thevar Magan. [2]
Vidyut Dev Singh Jammwal (born 10 December 1980) [1] [2] is an Indian actor, martial artist [3] and film producer who predominantly works in Hindi, Tamil and Telugu films. He is also a practitioner of Kalaripayattu , which he showcased in the film Junglee (2019).
The Power, an American science fiction thriller film based on the novel by Frank M. Robinson; The Power, an American supernatural horror film directed by Stephen Carpenter and Jeffrey Obrow; The Power (2021 British film), a British horror film written and directed by Corinna Faith
This page was last edited on 25 January 2025, at 19:08 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
The story, that had a lot of potentials to be a great movie, turned out to be average, but you won’t be disappointed with the performances by any actor." [13] Pradeep Kumar of The Hindu wrote "Directed by Tigmanshu Dhulia, ‘Yaara’ is a combination of an unimaginative story stitched together using a weird screenplay that throws you off rails."
Before she was cast in "Power," Loren wasn't exactly going on Barney's shopping sprees. AOL Build Speaker Series - Omari Hardwick, Naturi Naughton, Lela Loren and Joseph Sikora, "Power" "I had $86 ...
[8] Shubham Kulkarni of Koimoi gave 2.5/5 stars and wrote "Vidyut Jammwal is the biggest reason to watch Sanak, but cannot be the only attention-grabbing point of the feature length film. [9] Udita Jhunjhunwala of Firstpost gave 2/5 stars and wrote "Sanak over-emphasizes the action, leaving the story and the emotional core under-developed."
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