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Getting To Know The Weather Solo Baritone Saxophone (1986)—Eve Beglarian [65] A Day in the City for solo saxophone (1986)—Howard J. Buss; Midnight Omen for solo saxophone (1986)—Howard J. Buss; Phoenix (1988)—Ryo Noda; Hard for tenor saxophone solo (1988)—Christian Lauba
This same trip to Los Angeles also included recording sessions that resulted in hits for Domino, including "Blue Monday", on which Hardesty played the baritone saxophone solo because the other musician was unable to get the right sound; it was the first and only time that Hardesty played baritone sax. One music writer said this solo "is as ...
Flanagan revisited "Giant Steps" on several recordings, including an album named after the song, which he dedicated to Coltrane. [8] In some of the alternate takes, Cedar Walton is at the piano, declining to take a solo and playing at a slower tempo than the takes with Flanagan. Coltrane had shown Walton "Giant Steps" a few weeks beforehand ...
Saxophone Solos is a solo soprano saxophone album by Evan Parker. Three of the tracks were recorded live on June 17, 1975, at the Unity Theatre in London, and the remaining music was recorded on September 9, 1975 at the FMP Studio in Berlin. [ 1 ]
It was pure love, expressed over a sophisticated, artful groove, layered with imaginative overdubs of background vocal arrangements, gritty sax solos, vintage analog keyboards, percussion and strings.
The song "For a Friend" by Phil Collins, released on the CD single "We Wait and We Wonder" in 1993, was a tribute to Myrick, who actively participated in Collins's songs and shows for many years. [citation needed] As a tribute, Gary Bias performs the saxophone solos that originated with Myrick at Earth, Wind & Fire's live shows. [citation needed]
Desert Roads: Four Songs for Clarinet and Wind Ensemble (2004). Give Us This Day: Short Symphony for Wind Ensemble (2005). Comprises two movements, marked by the composer as "Moderately slow" and "Very fast." The work features a clarinet solo in the first; and oboe, flute, saxophone, and clarinet solos in the second.
The genre of solo saxophone has a rich, but largely unmapped history in contemporary music, particularly jazz. [1] Many, but not all, musicians who play and record solo saxophone use extended techniques, a vocabulary of the saxophone beyond its normal range.