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Frank Sinatra recorded the song on March 25, 1959, for the Capitol album No One Cares, arranged and conducted by Gordon Jenkins.Sinatra performed it on a Timex-sponsored show entitled The Frank Sinatra Timex Show: An Afternoon With Frank Sinatra broadcast on December 13, 1959, and on the Emmy-nominated Francis Albert Sinatra Does His Thing, broadcast on November 25, 1968.
No One Cares is the seventeenth studio album by Frank Sinatra, released on July 20, 1959.It is generally considered a sequel to Sinatra's 1957 album Where Are You? (also arranged by Gordon Jenkins), and shares a similar sad and lonesome, gloomy theme and concept as In the Wee Small Hours and Only the Lonely (both arranged by Nelson Riddle).
In the 2014 film adaptation, the lyrics in the line "No one cares for you a smidge, when you're in an orphanage", have been changed to "no one cares for you a bit, when you're a foster kid". [5] As well as the line "You'll stay up 'til this dump shines like the top of the Chrysler building", has been changed to "Make my bathroom shine, but don ...
Gordon Hill Jenkins (May 12, 1910 – May 1, 1984) was an American arranger, composer, and pianist who was influential in popular music in the 1940s and 1950s. [1] Jenkins worked with The Andrews Sisters, Johnny Cash, The Weavers, Frank Sinatra, Louis Armstrong, Judy Garland, Nat King Cole, Billie Holiday, Harry Nilsson, Peggy Lee and Ella Fitzgerald.
Only articles that can't conceivably be useful should be deleted under the ideas of No One Cares. Most of the articles that fall under this essay tend to be on the extreme edge of fancruft . There will always be supporters of, say, an article on Dr. Crusher's stunt double but there can never be enough interested parties to write a piece on ...
Furthermore, only 51%—or one in two employers—emphasize workplace punctuality, per Monster’s poll. Perhaps lateness slips through the cracks easier unless there’s a group project.
The album's songs deal with themes such as introspection, melancholy, lost love, failed relationships, depression and night life; as such, it has been called one of the first concept albums. [ 1 ] [ 2 ] The cover artwork reflects these themes, portraying Sinatra alone at night on an eerie and deserted city street awash in blue-tinged street lights.
From ancient history to the modern day, the clitoris has been discredited, dismissed and deleted -- and women's pleasure has often been left out of the conversation entirely. Now, an underground art movement led by artist Sophia Wallace is emerging across the globe to challenge the lies, question the myths and rewrite the rules around sex and the female body.