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These ensembles consist of various sizes of tension drums along with special band drums (ogido). The gangan [6] is another such. The leader of a dundun ensemble is the oniyalu who uses the drum to "talk" by imitating the tonality of Yoruba. Much of Yoruba music is spiritual in nature, and this form is often devoted to Orisas. [citation needed]
The Batá drum is a double-headed hourglass drum [1] with one end larger than the other. The percussion instrument is still used for its original purpose as it is one of the most important drums in the Yoruba land and used for traditional and religious activities among the Yoruba of western Nigeria.
Pages in category "Yoruba musical instruments" The following 10 pages are in this category, out of 10 total. ... Sakara drum; T. Talking drum This page was ...
The Gbedu drum is traditionally used on state occasions or during ceremonies of Ogboni, the ancient Yoruba secret society. [1] The Gbedu, also called Ogido, is one of the four major drums in traditional Yoruba drum sets; the other major drums are the Dundun/Gangan or talking drum, the Batá drum and the Sakara drum. Each drum comprises drums of ...
Iya Ilu, Yoruba talking drum. The pitch of the drum is varied to mimic the tone patterns of speech. This is done by varying the tension placed on the drumhead: the opposing drum heads are connected by a common tension cord. The waist of the drum is held between the player's arm and ribs, so that when squeezed the drumhead is tightened ...
The Fula play a variety of traditional instruments including drums, the hoddu , a plucked skin-covered lute similar to a banjo, and riti or riiti (a one-string bowed instrument similar to a violin), in addition to their vocal music. They also use end-blown bamboo flutes.
The men use goat skin to make the heads of these drums, or for the largest drum may use cow or antelope skin. [2] The fingers of one hand change the tone of the drum, while the drummer hits the face of the drum with a stick. When several sakara drums are played together, the iya ilu is the main voice, and dictates the pace and rhythmic style.
Aláàrìnjó (otherwise known as Apidàn) is a traditional dance-theatre troupe among the Yoruba. According to music historian Roger Blench, Aláàrìnjó dates back to the sixteenth century and probably developed from the Egúngún masquerade. However, it soon became professional and split into competing groups.
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