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C-sharp major, the enharmonic equivalent to D-flat major, has seven sharps, whereas D-flat major only has five flats; thus D-flat major is often used as the parallel major for C-sharp minor. (The same enharmonic situation occurs with the keys of A-flat major and G-sharp minor , and to some extent, with the keys of G-flat major and F-sharp minor ).
Piano Concerto in D-flat major; List of symphonies in D-flat major; A. An dem Feste, WAB 59a; B. Ballade No. 1 (Liszt) Bamboula (Gottschalk) Berceuse (Chopin)
Each Consolation is composed in either the key of E major or D ♭ major. E major is a key regularly used by Liszt for religious themes. [3] [4] There exist two versions of the Consolations. The first was composed by Liszt between 1844 and 1849 [5] and published in 1992 by G. Henle Verlag. [6]
A minor, F major, D minor KK. VIIa/2 Arr. from Cherubini's Cours de contrepoint et de fugue: Galopp A-flat major 1846 KK. IVc/13 P. 2/13 Galop Marquis: Introduction et Variations brillantes sur le Rondeau favori "Je vends des scapulaires" from Hérold's Ludovic: B-flat major 1833 Op. 12 B. 80 Klavierstück E-flat major 1840 1955 B.133 KK IVb/10 ...
Étude Op. 25, No. 8, in D-flat major, is a technical piano study composed by Frédéric Chopin. Étude Op. 25, No. 8 is a composition in D-flat major, employing notes related as sixths throughout the piece. Two examples in the opening of sixth intervals are A-flat to F and G-flat to E-flat.
D 568, Piano Sonata in D-flat major (1817, 1st version; the last movement is a fragment; the Scherzo in D-flat major, D 593 No. 2 [1] possibly constitutes the third movement) D 571, Piano Sonata in F-sharp minor (1817, unfinished – fragment of an "Allegro moderato" first movement is extant. The piano piece in A major, D 604, an Andante, as ...
Frédéric Chopin's "Berceuse", Op. 57, is a lullaby to be played on the piano. He composed it in 1843/44 [1] as variations in D-flat major.Chopin originally called his work "Variantes".
Sergei Prokofiev set about composing his Piano Concerto No. 1 in D-flat major, Op. 10, in 1911, and finished it the next year. The shortest of all his concertos, it is in one movement, about 15 minutes in duration, and dedicated to the “dreaded Tcherepnin .” [ 1 ]
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