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Feminine beauty ideal. The feminine beauty ideal is a specific set of beauty standards regarding traits that are ingrained in women throughout their lives and from a young age to increase their perceived physical attractiveness. It is experienced by many women in the world, though the traits change over time and vary in country and culture.
Writings. Nietzsche wrote specifically about his views on women in Section VII of Human, All Too Human, which seems to hold women in high regard; but given some of his other comments, his overall attitude towards women is ambivalent. For instance, while in Human, All Too Human, he states that "the perfect woman is a higher type of human than ...
La Scapigliata (Italian for 'The Lady with Dishevelled Hair') [n 1] is an unfinished painting generally attributed to the Italian High Renaissance artist Leonardo da Vinci, and dated c. 1506–1508. Painted in oil, umber, and white lead pigments on a small poplar wood panel, its attribution remains controversial, with several experts ...
The Gibson Girl was the personification of the feminine ideal of physical attractiveness as portrayed by the pen-and-ink illustrations of artist Charles Dana Gibson during a 20-year period that spanned the late 19th and early 20th centuries in the United States. [1] The artist saw his creation as representing the composite of "thousands of ...
In private practice, she earned a "take-no-prisoners" reputation. She opened her own private practice after her time in the public defender's office and was known for her her "take-no-prisoners ...
Japanese female beauty practices and ideals are a cultural set of standards in relevance to human physical appearance and aesthetics. Distinctive features of Japanese aesthetics have the following qualities: simplicity, elegance, suggestion, and symbolism. [1] Concepts of female beauty originate from its traditional culture which has lasted for ...
In terms of female human beauty, a woman whose appearance conforms to these tenets is still called a "classical beauty" or said to possess a "classical beauty", whilst the foundations laid by Greek and Roman artists have also supplied the standard for male beauty and female beauty in western civilization as seen, for example, in the Winged ...
Gallery of Beauties. The Gallery of Beauties (German: Schönheitengalerie) is a collection of 38 portraits of the most beautiful women from the nobility and bourgeoisie of Munich, Germany, gathered by Ludwig I of Bavaria in the south pavilion of his Nymphenburg Palace. [1] All but two were painted between 1827 and 1850 by Joseph Karl Stieler ...